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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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Viva Mayday CD release Party at Mercury on 07.28
This Saturday, July 28, band of three and recent Deli Artist of the Month, Viva Mayday, will be rocking Mercury Lounge in honor of their new full-length record, “Consuela,” named after the band’s beloved mascot. The 10-track album, which has been keeping the group busy for the past two years, highlights the trio’s swaggering and swinging fusion of blues, rock, reggae, and soul. Three tracks are already available to tantalize on the band’s Facebook page, including surf-tinged “Demonic Woman,” funky “Monster,” and gritty “Bay of Pigs” (streaming below). Everyone who attends the show on Saturday will get a copy of “Consuela” upon entry, so don’t miss the chance to get one of the first hard copies. Doors at 7:30pm, 21+. The late show is also feature great line-up, featuring Philly’s Cold Fronts, and NYC favorites, The Click Clack Boom and The Gay Blades. www.vivamayday.com – Meijin Bruttomesso
Published on July 27, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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