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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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From the digital submissions: Bird Dog, live at The Rock Shop, 08.29
Singer/songwriter Ben Chase might be the Devendra Banhart of Brooklyn fried soul. Like Banhart, his folk revival group Bird Dog expresses the undercurrents of Americana soul told through an urbanite’s eyes and unique experiences.
While his gritty voice has the ability to chop up lines like a rusty nail, Chase’s matter-of-fact storytelling on songs like ‘Lost Teeth’ (streaming) and ‘Hard Luck Kids,’ belies the Brooklyn singer’s imaginative imagery and warm spirit. With lyrics like ‘I fell into a feeling I can’t explain’ from his just-released ‘River’ EP, it’s hard to think he’s quite as rugged as his last (and louder) release ‘Cabin’ conveyed. But their mix of salt-of-the-earth truth and idealistic romance will make Brooklyners feel at home on the range.
See the band perform when they play Spike Hill on Sun, July 15th with Lynette Williams. - Mike Levine (@Goldnuggets) - This artist submitted their CD for review here.
Published on July 27, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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