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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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Digital submissions: The Clox plays Living Room on 08.11
One of the best things about New York is how so many people, hailing from the world over, can congregate in the same place, and somehow they (we) all end up calling this land home for one reason or another. One of the most intriguing things about this situation is how good a lot of people from overseas have become in producing the "indie rock" music originally coming from the U.S. Take The Clox for example. Hailing from Kazakhstan, the group has set up shop here in Manhattan to show us all how a lot of this heavy rock business is supposed to be done.
Listen to the anthem ‘Jules Verne’ off their latest EP of the same name, and tell me these guys don’t know how to do it. Their unique cross between bands like INXS and Oasis does what this band is good at: sounding familiar and exotic at the same time. The rest of the EP follows this formula closely, leaving almost no stone unturned in carving out a large sound that just might work anywhere in the world.
After performing at Santos Party House on July 27, the band will take over The Living Room on August 11. - Mike Levine (@Goldnuggets)
Published on August 03, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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