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July 2015
The Great Void
"Shift Age

If you're one of the few not plagued by thoughts of mortality and burdened by self-reflection, consider yourself lucky. If you're a brooder, however, then Shift Age, by NYC dark electro-rock project The Great Void, might be the record for you. It bears all the outwards signs of happy pop music, though the longer you listen, the more surreal it gets. Especially vivid is “Medicine Ball,” whose plunky synths and new-wave vocals divert bleakly-rendered lines like, “I know we'd have fun/But you're much too young.” By “Shift Age (Part 2),” it's clear the gloss is just a cover for deconstructing nostalgia itself. “Out with the days of the old ways” sings leader Josh Ascalon before a barrage of high-pitched squeals surge towards an apocalyptic finale. Or maybe that's just the hardware inside his keyboard threatening to fry out? - Brian Chidester

The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Lydia Lunch
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Blonde Redhead
Grizzly Bear

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Fergus & Geronimo release new album on 08.10 at 285 Kent

Fergus & Geronimo release new album on 08.10 at 285 Kent

For their second album, 'Funky Was The State Of Affairs' (out tomorrow, August 7th), Brooklyn-based band Fergus & Geronimo brought in two new members and left behind the sixties background of their debut, to find in the 80s the foundations of a new sonic flavour. Truthfully though, the various New Wave, dance rock and pop-punk influences are hardly the most interesting thing about this record. Amidst fast beats and freaky skits, they're playing their very own 'tale of idiots', halfway between social satire and pure nonsense. Don't be misled by that strange Northern-Cockney hybrid on the opening 'No Parties', the English aren't a prime target here. Consumerism, paranoia, passivity and other defects of our kind, extraterrestrial fantasies and complex relationships: those are the main themes approached in this weird, gripping album which, agreed, is varied in sounds, but should certainly get as much credit for its coherence. The release show will be on Friday (8.10) at 285 Kent. - Tracy Mamoun


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