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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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NYC "electro-twang"? D.V.S. plays Brooklyn Bowl on 09.05
Like everyone knows, hip-hop got its start by DJs continuously looping the hottest breaks of funk/R&B songs at house parties. So a space that was originally about 10 seconds would be stretched to three or four minutes.
I feel like Brooklyn based producer Derek VanScoten's project - called just D.V.S. - with their new album ‘Coming Up For Air: Vol. 2 dawn‘, has done something similar with electronica. Active in the same musical playground of other groove-happy maximal groups like Ratatat or Fuckbuttons, D.V.S. expands on smaller loops, and builds worlds around these otherwise simple statement. Derek's twangy, often sliding guitar is the glue that keeps the pieces of this musical universe together.
Album opener ‘The Bending Bloom’ for instance, orbits around a single hook for its four minutes, expanding and contracting for an organic series of turns as unique as it is engrossing. The band even ventures into R&B material the way Flying Lotus updates free jazz for the mobile generation. From their first record’s focus on dusk, to their latest LP’s meditations on dawn, D.V.S. is an exciting group that knows how to make good use of their sources. - Mike Levine (@Goldnuggets)
Published on August 08, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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