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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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Unstoppable Death Machines to release 'We Come In Peace'
Hold on tight, 'cause it's about to get loud up in Brooklyn. On Tuesday (8.21), sibling duo Unstoppable Death Machines will be releasing its first full-length album, the (ironically) named 'We Come In Peace', and as it drills through your skull I can already picture it tipping your neighbours over the edge. Mine anyway (perfect!). Now, if amateurs might create hardly more than inaudible cacophony out of such a surge of sonic aggression where punk, metal, gritty industrial and pounding dance beats converge, the Tucci brothers are dexterous and experienced noisesmiths; their loud basslines and smashing drums have brought a unique sound to the city's messy DIY parties for a couple of years now, and they sure know how to skilfully turn such a cocktail into a terrifically stimulating and abrasive burst of decibels that'll get you grinding your teeth and banging your head at once.
You can already find a taste of it on their Bandcamp page, but for the full effect, get down to XPO 929 on Saturday (8.18) for the pre-release party, followed next Thursday (8.23) by the official release party at Shea Stadium.
Published on August 16, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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