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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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Callers plays Music Hall of W'Burg on 09.20 + tours Europe with Dirty Projectors
Callers is one of those bands we've been following for friggin' ages (well, let's not exaggerate, 3-4 years maybe...) and often wondered how long their status of "Best Kept NYC Secret" would last. It's probably time for it to end - surely their upcoming European tour with Dirty Projectors will help in this regard.
Featuring one of the most beautiful female voices in Brooklyn, the band, originally a duo, has now ventured into a quartet format with the addition of drums and keyboards. The preview single Heroes (streaming below) features a fuller sound, but mostly... a faster one. Indeed, the track represents a steep increase in terms of BPM if compared to the band's material we are familiar with, but the songwriting quality is there, together with the top notch delivery. Sara Lucas' blue soprano here almost sounds like Joni Mitchell from the Hejira period, when the Canadian songwriter's youthful enthusiasm started to be contaminated by the understanding that adult life is full of sadness, which conjured up one of the most beautifully melancholic records ever made. These contradicting forces are also at work in this song, where the dancey rhythm section lifts our mood, while Sara's blue notes and lyrics keep our thoughts wondering about the mysteries of life. See Callers at Music Hall of Williamsburg on 09.20 with Wye Oak. - Read a 2011 Deli interview with Callers here.
Mp3: Callers - "Heroes"
Published on September 17, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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