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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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Icona Pop moves to NYC + releases new single
New York City welcomes Icona Pop, the Swedish electro-punk duo whose new single “I Love It” (streaming below) is blowing up. “We just moved here,” declared IP’s Aino Jawo online last week, “so everyone out there who wants to show us a good time, please come and dance with us!” Actually, no sooner did they touchdown, than Icona Pop went right back to Europe for a brief tour where they’ll debut material from their upcoming EP, "The Iconic" (out October 16). Despite their penchant for big choruses and crystal-clear vocals, “I Love It” seems to de-bunk early comparisons to Abba with the line, “You’re from the ‘70s, but I’m a ‘90s bitch.”
Jawo and fellow Stockholm-native bandmate Caroline Hjelt moved from London to New York following last year’s guest appearance on Chiddy Bang’s underground hip-hop charter, “Mind Your Manners,” which took off on both sides of the Atlantic (and was included on last year’s Now That’s What I Call Music 39). Lyrically, their next single, “Ready for the Weekend,” sticks pretty close to the formula, but according to Jawo, “It’s kind of more up-tempo, dance-ier,” which she says owes its vibe to the London scene. “It’s not the same punk feeling that ‘I Love It’ (streaming below) has.” With that in mind, we look forward to how NYC will help shape the duo’s next phase. - Brian Chidester
Published on September 19, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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