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songwriters

Delicious Audio: Conveyor and the Recording Process

Conveyor is one of the most intriguing emerging Brooklyn bands - pulling off their intricate sound on record obviously requires a good knowledge of the music production process. We asked them a few questions about their latest record and their favorite pieces of audio equipment here

 
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Gorilla Vs Bear: mobb deep
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Vassals
Dynamic Building Rock
by: Dave Cromwell date:April 26, 2013 - MORE
Port St Willow
Brooklyn Ambient
by: Dean Van Nguyen date:April 26, 2013 - MORE
Sleepies
not just (punky) fun
by: Tracy Mamoun date:April 14, 2013 - MORE
The Dust Engineers
Western-inspired band finds niche in imaginary beginnings
by: Devon Antonetti date:April 3, 2013 - MORE

April 2013
Drowners
"Between Us Girls"

mp3

"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).

The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that). 

The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.

This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG


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