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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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NYC artist to watch at CMJ: Wilsen, Rockwood, 10.18
Wilsen, not to be confused with the inexplicably ubiquitous Wilson Phillips, will be playing the Rockwood Music on October 19th as a part of the CMJ Music Marathon. The singer-songwriter's debut album, “Sirens” is a gorgeous integration of folk and dream-pop, resulting in what those in the genre-making business like us call “dream folk.” A particularly notable track off “Sirens” is “Anahita,” which combines Wilsen’s truly haunting voice with a guitar melody reminiscent of Explosions in the Sky’s work on “Friday Night Lights.” The strikingly engaging song is both devastating and celebratory; evocative of both death and a last-second Matt Saracen touchdown. Check out the video for “Anahita” here, and single "Dusk" streaming below. - "Dusk" was added to our NYC Roots Music and Mellow Core SoundCloud Playlists. - Josh Johnson
Published on September 27, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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