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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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The Disappointment release "Damn Righteous" at Rock Shop tonight (09.28)
Melding elements of indie rock and blues, tonight (09.28) Brooklyn's The Disappointment welcomes their debut EP, “Damn Righteous” with a show at Rock Shop. With their witty lyrics, vocals dripping with drunken swagger, and themes that ooze with booze, The Disappointment insert themselves in the rich tradition of rocking American songwriters inspired by roots music. “Where’d The Drink Come From?” starts the buzz with synths the creep along and crescendo into an impassioned chorus. “The Prince and the Playground” chugs along and narrates a fantastical ode to their hometown, and “Sharp As Knives” floats with syncopated hihats and smooth guitars while “Technically 17” (streaming below) centers around humorous verses. The final track, “The Best Pereson of All Time” returns to the opening sonic motif of haunting progressions. Joining the Disappointment at The Rock Shop are Chainwave, The Archive, and XVSK. Doors at 8pm, 21+, $10. – Meijin Bruttomesso
Published on September 28, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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