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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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Josh's Top 3 NYC bands from CMJ 2012: Wilsen, Blonds, The Nightmare River Band
Josh run The Deli's CMJ Music Marathon last weeks (consisting in blogging about 26 emerging bands based in The Deli's 12 local scenes - but mostly NYC). Here's his top 3. We'll have a list of honorable mentions tomorrow.
WARNING: Josh was our "guy/mellow/folky" runner. Tracy - the "girl/upbeat/punky" marathoner - was covering noisier bands, stay tuned for her selection.
1. Wilsen "When the forlornly whistling of the lead singer, the eponymous Wislen, coincided with striking crash of a cymbal, I can’t imagine there was a spine in the room left sans-shivered".
2. Blonds "With their commanding take of an already strong catalog, Blonds proved to be the highlight of CMJ Tuesday."
3. The Nightmare River Band (pictured) "The Nightmare River Band played a great set filled with some rather awesome rock n’ roll songs."
Published on October 25, 2012
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April 2013
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Drowners
"Between Us Girls"
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
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