Guys and girls who like chicks who play in indie bands (i.e. 100% of our readership) might be interested in heading out to Cake Shop on Saturday to check out this bill composed almost entirely by female musicians.
4th: The Roulettes (top picture)
Saucy ladies play indie rock with punk attitude
3rd: Care Bears on Fire (bottom picture)
Teen pop-punk doesn't get better than this -
2nd: Nan and the One Night Stands
Nan is the "mother" of Olive Juice Music and drummersinger in Lo-Fi heroes Schwervon!
1st: The Fancy
All female orchestral pop treat ruined by the only guy in the bill (just kidding, we are just envious actually).
Thanks Deli!!! and this is silly but I feel we must give credit to the Roulettes' current active bassist (not-pictured), Nate Affield (also in Algae and Tentacles, Workshop Model, Corduroy Days he is a busy man) who is a dude man enough to play with a band of ladies.
We've always been big fans of Luke Temple, and it's good to see that, together with the Here We Go Magic crew, the man is keeping at it with increasingly beautiful records and videos. The band's new album "A Different Ship" (stream it here) will be out on May 8, and betrays at least a partial return to Luke Temple's more intimate and melodic sound from his solo repertoire - in this regard, lend a ear to "Hard to Be Close," "Alone but Moving" and "Over the Ocean". This is welcome news for fans like us who always thought that in most HWGM material Luke's noteworthy songwriting skills seemed a little sacrificed on the altar of textural experimentation. This doesn't mean that the band's signature hypnotic, impressionistic sound is lost - it's just that these two elements work together better than they did in past records, and this is what makes this album one of the NYC highlights of the year so far. Indeed, this collection also features songs more in line with the band's past releases ("Make Up your Mind", "I Believe in Action"), which follow on the steps of brainy-pop icons like Brian Eno and The Feelies, but there's definitely a balance here, also betrayed by the almost perfect alternation of melodic songs and less traditional ones.The just released video of "How Do I Know," telling the story of a rejected dancing robot that ends up revitalizing an older man's appreciation for life, seems to reflect on this brain/heart, mechanic/organic dichotomies and somehow bring them to unity. - PDG