Pretty phenomenal back to front, but it meant that today, day one of SX, I was taking it slow...in the afternoon I did catch Matt the Electrician playing a benefit show at Guero's. Many shows here have become spur-of-the-moment benefits as SX reacts to the events in Japan. (Sahara Smith raised $100 for the Red Cross on Tuesday night just by putting out a jar + mentioning it once.) Then snuck out later this evening to see one of my favorite new Austin bands, Black Books, who boast the rarely seen drummer/lead singer, and play a kind of off-kilter dream-pop...their "Maria" lit it up + served as the highlight of my night. On the way home caught Amber Digby, honky-tonky modern country girl from Houston, playing the Continental. And tomorrow back into the madness...
We've always been big fans of Luke Temple, and it's good to see that, together with the Here We Go Magic crew, the man is keeping at it with increasingly beautiful records and videos. The band's new album "A Different Ship" (stream it here) will be out on May 8, and betrays at least a partial return to Luke Temple's more intimate and melodic sound from his solo repertoire - in this regard, lend a ear to "Hard to Be Close," "Alone but Moving" and "Over the Ocean". This is welcome news for fans like us who always thought that in most HWGM material Luke's noteworthy songwriting skills seemed a little sacrificed on the altar of textural experimentation. This doesn't mean that the band's signature hypnotic, impressionistic sound is lost - it's just that these two elements work together better than they did in past records, and this is what makes this album one of the NYC highlights of the year so far. Indeed, this collection also features songs more in line with the band's past releases ("Make Up your Mind", "I Believe in Action"), which follow on the steps of brainy-pop icons like Brian Eno and The Feelies, but there's definitely a balance here, also betrayed by the almost perfect alternation of melodic songs and less traditional ones.The just released video of "How Do I Know," telling the story of a rejected dancing robot that ends up revitalizing an older man's appreciation for life, seems to reflect on this brain/heart, mechanic/organic dichotomies and somehow bring them to unity. - PDG
