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December 2014
Mitski
""bury me at makeout creek"
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mp3

In her third album "bury me at makeout creek," Brooklyn songwriter Mitski reveals a dual musical personality and a multi-faceted talent. Opener "texas reznikoff" presents us with what (deceptively) sounds like your regular, acoustic guitar armed singer songwriter, who gently sings about her wishes, her lovers and far away lands. It takes less than a minute and a half for that first impression to get completely subverted by a sudden build up of distorted guitars. The sonic saturation continues in the following track, the noise pop gem "townie," where Mitski sounds like a riot girl of the new millennium, crafting a beautifully tense melody, full of carefree lyrics, over an unrelenting carpet of fuzzy guitars and feedback. Following track "first love / late spring" take us back to the initial sparseness, introducing a very elegant, if not seductive melody, reminiscent of the crooning charmers of the '50s. A few tracks later, "jobless monday" doubles down on the crooner-pop influences, forging another incredibly beautiful vocal line. The rest of the record keeps dwelling between these recurrent extremes, revealing an artist who relies on her pop sensibility to allow her poetry to shine, while her instinctive, youthful angst leads her to reject anything that's too conventional or predictable. Many great records emerge from this kind of tension.

 
The 60's
Bob Dylan

Simon and Garfunkel

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Sonic Youth
Bad Brains
Beastie Boys
Bruce Springsteen
Swans
The Feelies
Laurie Anderson
They Might Be Giants
John Zorn
Arto Lindsay
Sonic Youth
The Fleshtones
The 90's

Jeff Buckley

The Magnetic Fields
Yo La Tengo
Soul Coughing
Cat Power
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

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Marathoner Mike day 1: Wild International, Mainland, Click Clack Boom, Adrienne Drake, Blip Blip Bleep, Deathrow Tull

Marathoner Mike day 1: Wild International, Mainland, Click Clack Boom, Adrienne Drake, Blip Blip Bleep, Deathrow Tull

And so it begins… the first lap of the CMJ marathon landed me in the East Village last night until 3ish, starting with Long Island band Wild International at Webster Hall. Wild is a group best described as what Panda bear might sound like were he in a punk band. This three piece moved from jangle to thrash in equal measure and even premiered a brand new song, ‘Creeks’, complete with water sound effects and campfire croons. But by far the best thing Wild International might have been guitarist Ryan Camenzuli’s mom, who was really cool and could have been an Animal Collective fan herself - we all need cool and supportive mothers at shows!

Next up was Mainland. Singer Jordan Topf wins the award for wearing the tightest pair of jeans of the night, and his band's sound was an equal match. Absolutely one of the most enthusiastic of the night’s groups, their dexterous bassist reacted so joyously to each song’s change you’d think he was more their fan than bandmate. Despite their numerous soundchecks, including a couple broken strings, they powered through in no small part to the young lead singers’ boundless energy.

And then came something entirely different… Click Clack Boom are from rural Pennsylvania but I have a feeling we’ll be hearing a lot more from this group in NYC. The four piece were high energy and ready at a moments notice to nail a solid riff to their material. I could see them grabbing a drink with the Arctic Monkeys sometime and trading stories of filthy lucre and other such debaucheries. One part storyteller/one part auctioneer, lead singer Nathaniel Hoho gave us such endearing lyrics as “I love this woman, she loved cocaine, but she was fucking all my friends.”

And that was it for Webster Hall. After grabbing a quick slice at South Brooklyn Pizza shared with CMJ artist/East Village insider Emily Greene (playing tonight at Spike Hill!), I hurried over to the No Pulp CMJ show at Arlenes grocery to catch (pictureless) glo-fi torchbearer Adrienne Drake bring the romance. This shoe-gazey songwriter swings a big wall of circuitry at melodrama and makes quirky throwback synths dance-ready. Think Ariel Pink covering The Cure.

Next up was a band competing with Click Clack Boom for the comic book-ready band name of the night: Blip Blip Bleep. This Brooklyn-based power pop trio opened with a song to make me wish to god it was Friday already (though not in a Rebecca Black kinda way). Giving The Pains of Being Pure at Heart a run for their money, this three piece put more sounds into their keyboard-backed anthems than most bands twice their size. This included generous doses of Ableton Live, and I should also mention that their very attractive keyboardist Kayce McGehee had two very well endowed mini-korgs of her own to frame her figure. Their cover of ‘Beat It’ was made all the sexier when she turned it around into a feminist disco anthem.

Finally the evening came to a close with Brooklyn’s Deathrow Tull. Here’s a band that has their thing down, with every moment carefully choreographed to the smallest detail. An incredible exercise in jazz/ hip-hop style democracy you don’t usually find in covers of ‘Let's Get It On,’ There was an excellent juxtaposition here between the smooth soul of Temple Grindin’s soprano, and Broke and Dyalekt’s hard-edged rhymes. It was a sweaty end to my first lap of CMJ, and I can’t wait to get back out there tonight.

- Mike Levine (@goldnuggets)

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