It's never a bad time to have our ears wrapped in a gorgeously atmospheric shoegaze-pop sound. Field Mouse's video "You Guys Are Gonna Wake Up My Mom" adds a very appropriate visual component to the band's single, by playing with lead singer Rachel Browne's pale, porcelain complexion, stylishly cut dark hair (with one carefully placed feathery blonde streak) and full ruby red lips. The lead singer's features are treated with various blurring effects and filters, in a way comparable to what the band does on a sonic level to the song's melody and sounds: reverbered vocals and layers of guitars bring back to mind iconic 90's dream-pop band "Lush". Multiple images of her, the band and select footage (buildings, flames) all contribute to a visually psychedelic presentation, conveying an overall feeling of uplift and beauty. "Fall asleep - you might just feel brand new," Rachel sings. "I should know, I do the same thing too" she adds with lovely clarity. What's not to like? - See Field Mouse at the Big Snow Buffalo Lodge (new Brooklyn performance space) on December 22. - Dave Cromwell
This might sound kind of trite, but imagination is one of the most crucial deciding factors that makes us pay attention to music we get introduced to. This is a quality that is definitely not missing from Night Manager's music, lead singer Caitlin Seager's melodies in particular. The Brooklyn via Paris/San Francisco band offers some of the most refreshingly catchy pop lines we heard in a long time. The gorgeous single "Ghost" (streaming here) is a glorious melange of genres, somewhat reminiscent of the carefully constructed songs from The Throwing Muses' pop masterpiece "The Real Ramona" - one of the most underestimated pop album of the 90s. Unpredictable melodies blending Cocteau Twins' heavenly beauty and The Beach Boys' harmonizing mastery, float on top of what could be described as a grunge-style track, although drenched in reverb and filtered through the NYC DIY sound of the new millennium, with all its homages to the new wave and the garage sound of the 60s. But the sonic character of the track is kind of contingent here, because the actual song is so good that it would work in any instrumental context. The other two tracks on the 7" (the band's third release), present a similar recipe, with a heavier influence of the 60's surf pop element, which awakens comparisons to west coast breakout band Best Coast.- PDG
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