Psych Rock and derivatives genres like Shoegazer and Dreampop are a very interesting musical niches with lots of loyal fans - many of which reside in NYC. Here are these genres results related to the submissions we received for our Year End Best of NYC Poll for Emerging Artists.
NYC YEAR END POLL 2011 OPEN SUBMISSIONS RESULTS FOR PSYCH ROCK/ SHOEGAZER/ DREAM-POP: Jurors: Chrissy Prisco (Deli New England), Dawn Reed (Deli DC Area), QD Tran (Deli Philly)
- QUALIFIED TO THE POLL'S NEXT ROUND
The artists in this list qualify for the next phase of the poll, and will be added to the bands nominated by our jury of local scenemakers.
1. Grassfight (also overall submissions winners with 9.33 out of 10)
Bleak like Ian Curtis (but with a much higher range), danceable like, well... Joy Division (but twice as zonked out), Grassfight expands on the freaky shoegazer vibe in a way Interpol never got around to. Wtih a name based on a tragic battle during the Texas Revolution, their new EP Icon is bound to be confrontational. But don't let that scare you, singer Nathan Forster and band make the kind of lush, devastating music too catchy to keep you down.
There's something to be said about a band that could only come from a certain kind of collaboration. Field Mouse is a labor of love from singer/songwriters Rachel Browne and Andrew Futral. The duo take turns between rootsy sentiment and driving electronics ala Jesus and Mary Chain. Mouse's warm sentiment hits home in sweetly affecting songs like 'You Guys are Gonna Wake Up My Mom' and their fantastic cover of Deerhoof's 'Helicopter.'
2b. Spanish Prisoners
Cinematic and mysterious, Spanish Prisoners blends bubbly psych pop with dark telltale vocals and daydream guitar and keyboard textures. The band's album Gold Fools was recently declared "Best Free Album of the Year" by gimmetinnitus.com
4a. Himalaya
Here's a band you should add to your ipod for any trip you're planning on taking, outdoors or indoors. They're the perfect soundtrack, as this group's not in much of a rush to go anywhere. The songs of Himalaya can take a fair amount of time to gather steam. But once they do, anthemic choral singing usually supplements layers of washy guitar in an almost religious exultation. Tracks like Don't Stop and Hospital will land you at a church somewhere deep in outer space, and their live show will leave you equally blissed out.
4b. Dead Leaf Echo
With swirling guitars, beatbox percussion, and ultra-wet vocals, Dead Leaf Echo sound like the long-awaited return of shoegaze. As much an art project as band, singer-guitarist LG, bassist Mike DiLalla, and keyboardist-vocalist Liza B make films as often as they release records. No wonder tracks like Woolgathering and Trial hit you as a medium tempo, wide-screen production experience.
- ALMOST QUALIFIED TO THE POLL'S NEXT ROUND
These artists had outstanding ratings from our jurors (almost 8 out of 10!) but won't qualify to the next round of our year end poll.
6. Fan-Tan
Meeting up at Chapel Hill a couple years ago, Fan-Tan have already been playing together for a few years now, and their live shows have earned the band a solid rep. Singer Ryan Lee Dunlap can sound pained like Spencer Krug, but he pours his heart out over an energetic mix of buzzing synthesizers and driving percussion from Kuki and Sandee Kooks’ rhythm section. Now the band is set to release their debut full-length early this year, and if 2010's EP The Age of Discovery is any indication, it promises to be full of the kind of pain and propulsion you rarely hear come together this energetically.
7. Yellowbirds
A Deli CD of the month in 2011, Yellowbirds blends psych-pop songs with country accents, creating entrancing songs which conjure up the warmest musical tones that recall the freewheeling spirit of the ‘60s. The complexities and layers of the songs make for an enjoyable, challenging listen, but the tracks are incredibly accessible pop songs. Butting guitars and bristling autoharp may create some stridency, but is always counterbalanced with calming acoustic guitar strums and Cohen’s Roy Orbison-esque vocals.
HONORABLE MENTIONS
These artists also had really good ratings from our jurors (over 7.5): Backlights, Behavior and Prospector.
Though I'm happy to see Dead Leaf Echo get mentioned - bad job by whomever cobbled together this blurb. How about actually doing even a little bit of research. Seriously? Naming band members from multiple years ago? Where did they even get that info? If I was Christo Buffam and Ana Breton - I'd be totally annoyed by this. Hell, I'm annoyed by it as there have been write ups about the current (and correct) lineup multiple times this year on this site! People need to get their act together. But - congrats to DLE for the mention anyway, I suppose.
im so happy to see Grassfight made the list, the are some of my favorite new tunes i've ben jamming on for the 2011 season... i listen to Icon e.p. every other day or more I'm very excited for a full album to come out and maybe even a vinyl one day its all very exciting stuff.
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Which of these acts should be The Deli's next NYC Artist of the Month?
This might sound kind of trite, but imagination is one of the most crucial deciding factors that makes us pay attention to music we get introduced to. This is a quality that is definitely not missing from Night Manager's music, lead singer Caitlin Seager's melodies in particular. The Brooklyn via Paris/San Francisco band offers some of the most refreshingly catchy pop lines we heard in a long time. The gorgeous single "Ghost" (streaming here) is a glorious melange of genres, somewhat reminiscent of the carefully constructed songs from The Throwing Muses' pop masterpiece "The Real Ramona" - one of the most underestimated pop album of the 90s. Unpredictable melodies blending Cocteau Twins' heavenly beauty and The Beach Boys' harmonizing mastery, float on top of what could be described as a grunge-style track, although drenched in reverb and filtered through the NYC DIY sound of the new millennium, with all its homages to the new wave and the garage sound of the 60s. But the sonic character of the track is kind of contingent here, because the actual song is so good that it would work in any instrumental context. The other two tracks on the 7" (the band's third release), present a similar recipe, with a heavier influence of the 60's surf pop element, which awakens comparisons to west coast breakout band Best Coast.- PDG
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