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June 2015
Annique Monet
"Phantom Letters
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Some records have the ability to plunge the listener into some kind of alternate reality. Annique Monet's uber-psychedelic debut album 'Phantom Letters' will do that to you. It took a few notes for opening track "Salt, Veruca," (streaming) to hypnotize us with its haunting beginning: a simple electric piano part, whistles, a fake horn section and a droney verse slowly led us towards a celestial chorus, which was quickly fogotten - for good - in favor of a baroque, droney outro. The following track 'Voodoo', a grottesque and dissonant waltz, took us to a really weird (and scary) place: we saw the devil looking at us through the speakers, from Vienna. With a beautiful melody, the first few bars of "Nowhere"  brought back some hope for a return to light, but the song didn't go anywhere - we should have expected it, considering the title. 'Relapse' delivered another waltz - a more subtle one - but filled to the brim with eerie and decadent melancholy. From its plodding intro, Turtlenecks in July resurrected the ghost of The Beatles' psychedelic pop, although sounding nothing like it, while in '52,' Greek mermeids lured us with the most ghostly of lithanies, asking us to join them - and drown. The following two songs on the record kept this beautifully absurd, elusive dream going, with noteworthy track "Unchange" closing the collection.

Although we often praise structure in songwriting (many songs here would benefit from more of it), there's very little structure in a dream - which is what this album is. In a scene that seems to have lost the imagination of its peak years, this is a record that will hopefully inspire other NYC artists to be more daring.

 
The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
Swans
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
Nas
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Courtesy Tier

Deli Best of NYC 2012 - Open Submission Results for FOLK ROCK + AMERICANA

This is the category gathering NYC based bands who play roots music in all its traditional glory. Or at least that's what we intended it to be - a couple of bands in the list (namely, Sewing Machines and The Balboans) obviously mis-categorized themselves when submitting for this poll...

Total Submissions in this category: 23

Artists Qualified to the Poll's Next Stage (starting soon):

1. Swear and Shake - 8.16 (out of 10)
2. The Ludlow Thieves - 7.66
3. The Courtesy Tier - 7.5

Honorable Mentions (score above 7):

Sewing Machines, The Balboans, Ten Ton Man, Runaway Dorothy, Zak Smith, Mail the Horse, Alana Amram & the Rough Gems, Kayleigh Goldsworthy, David King + The Confirmed Bachelors, Elijah Ocean, This Old Ghost, Thomas Bryan Eaton.

Jurors: Ben Toledo (Deli Portland), Jacqueline Caruso (Deli LA), QD Tran (Deli Philly)

The Deli' Staff


Meijin's SXSW day 4: Vas Defrans, Click Clack Boom, Kid Savant + more

The penultimate day of my fourth SXSW was definitely the longest in my history of SX’s. Arriving at 10:30am at the Elvis Presley-themed Beale Street Tavern to host a show, I was out on the town for 16 hours to follow. Opening the morning, Austin’s Indie-meets-retro rock quartet, Ghost Bunny, and solo, blues-rock multi-instrumentalist and loop-master, Walker Lukens, got the ball rolling. Most attendants woke up and arrived for a bevy of Brooklyn bands: Black Taxi, The Courtesy Tier, and The Click Clack Boom. The string of East Coasters was broken by LA- born Vas Defrans (pictured), who put the sound system to the test with pounding drums and intricate instrumental layering. A laid back local favorite, The Naturals, contrasted with the strobe- light and projection illuminated, electro/dance-rock quartet, Kid Savant who followed suit. NYC’s Hollis Brown closed the afternoon with straight up great blues rock and Southern rock sentiments. Yet another Tex-Mex decompression resuscitated me for an extensive evening of street performances. Renegade rocker, Tom Morello, brought the aggressive music of Black Top Demon, Outernational, Anti-Flag, and Wayne Kramer outside the Swan Dive as part of Occupy SXSW. Morello himself marched into the crowd of hundreds for a finale while police swarmed the area. All ended without any blood shed, but it was an night/early morning to remember! –Meijin Bruttomesso


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