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Artist of the Month
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April 2016
Ghost King
"'Bones'
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mp3

Hailing from The Bronx and led by Spires' drummer Carter McNeil, Ghost King plays muddy fuzz rock brightened by unexpected chord changes, psychedelic overtones, and a '90s rock inspired lo-fi production that blends the fun attitude of Violent Femmes, the stellar songwriting of The Pixies and the slacking tendencies of Pavement. Early psych rock influences emerge here and there in their debut album 'Bones' (check out the rather Barretesque 'Bones pt. 1,' or the chorus explosion of 'When the Sky Turns blue' - streaming below), enriching the sonic palette in ways rarely accomplished, in a single record, without it sounding... all over the place. But beyond the familiar and beloved references to the past, what makes this album great is its consistently brilliant songwriting, and the band's habit of taking the listener in and out of unexpected places, like for example with the dissonant riffs of 'Skeleton Dance' 's intro, which slowly morphs into a perfectly consonant verse, or through the bizarre development of ''Til You Belong to Me' or 'Bones pt. 2.'  

 
The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
Swans
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
Nas
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

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scene blog

Sewing Machines

Deli Best of NYC 2012 - Open Submission Results for FOLK ROCK + AMERICANA

This is the category gathering NYC based bands who play roots music in all its traditional glory. Or at least that's what we intended it to be - a couple of bands in the list (namely, Sewing Machines and The Balboans) obviously mis-categorized themselves when submitting for this poll...

Total Submissions in this category: 23

Artists Qualified to the Poll's Next Stage (starting soon):

1. Swear and Shake - 8.16 (out of 10)
2. The Ludlow Thieves - 7.66
3. The Courtesy Tier - 7.5

Honorable Mentions (score above 7):

Sewing Machines, The Balboans, Ten Ton Man, Runaway Dorothy, Zak Smith, Mail the Horse, Alana Amram & the Rough Gems, Kayleigh Goldsworthy, David King + The Confirmed Bachelors, Elijah Ocean, This Old Ghost, Thomas Bryan Eaton.

Jurors: Ben Toledo (Deli Portland), Jacqueline Caruso (Deli LA), QD Tran (Deli Philly)

The Deli' Staff


Josh's CMJ day 3: Beast Patrol, Thomas Simon, Sewing Machines, JJAMZ, Linfinity, MS MR.

The third day of CMJ is the festival’s Humpday. Once Day Three ends, the festival is already more than half-over. Now that I’m halfway done with running the CMJ Marathon, I feel pretty good about my journey towards the finish line, although I realize that while my marathon numbers are solid, they aren’t as good as Paul Ryan’s. Of course, Ryan made up his marathon times on the spot, so at least I’m winning in the endurance department. - Read the full report by Josh S. Johnson here.


Deli CMJ Electro/Avant Pop Stages at The Delancey 10.18 with Wildlife Control, Dynasty Electric, Dinosaur Feathers, Il Abanico, Cultfever + more

DETAILS ABOUT THIS SHOW + STREAMING
COMPILATION OF ALL THE BANDS HERE

This is going to be the longest list of this whole series of announcements. On Thursday, we're once again taking over both floors of The Delancey with upstairs, a line-up of electro up-and-comers from all sides of the spectrum and downstairs, some creative pop gems fitting under the Avant Pop label, for a total of.. NINETEEN acts! So enough chit-chat, let's get to the list, because that is sure going to take up enough space.

Opening the (free!) upstairs show, Thomas Simon's ghostly mixes, followed by the bizarre folk-tronic experiments of Max Horwich's Sewing Machines, Cultfever's chaotic outputs and Railbird's more intimate creations. Next up, we've got three out-of-towners, i.e SF's Maus Haus, Philly's electro/hip hop artist Lushlife, and finally, Anomie Belle, from Seattle, co-headlining the show with NYC's own Dynasty Electric. Then, taking it to the later hours of the evening, Ducky, and Drop Electric (coming from DC).

Downstairs, our two headliners will be Dinosaur Feathers (top picture) and Wildlife Control, who both released this year a delicious new album, second for the former and a first for the latter. We've also got, on this stage, three acts coming from Los Angeles: openers American Royalty, shoegaze-pop band Letting Up Despite Great Faults, and Kiven, who will be closing the show. Add to this Columbian transplants Il Abanico, Conveyor, whom we covered in our last print issue, the catchy jams of five-piece Modern Rivals and finally, Santah, coming from Chicago, and.. I believe WE'RE DONE! In the pictures: Dynasty Electric & Wildlife Control.


Awesomely weird NYC band: Sewing Machines

If Brian Eno produced a slightly more Americana version of TV on the Radio, you might get a band sounding something like Sewing Machines. The group has a penchant for sculpting beautiful and natural soundscapes out of the most synthetic of sources. Keyboards and drum machines overlay functionally tweaked vocal energy... and still, all of it is catchy as hell. But if there's one thing to separate the band from the legions of loop machine tinkerers surrounding Brooklyn, it's the unexpected humanity and simple fun the band always make sure to include in their experiments.

If this duo is halfway serious about their band name, they could not have done any better. Between the inspired, and heavily looped banjo and violin work of Sam Moss, and the well positioned vocals (and drum machine madness) of co-conspirator Max Horwich, this band is more than apt to cut and purl their way to an entirely new means of utilizing sonic materials. Check out their new album 'February' on their Bandcamp profile. - Mike Levine (@Goldnuggets)

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