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Meeko Cheech EP Release @ Handlebar

We are gearing up for Meeko Cheech’s latest EP out this Saturday June 27th. Toronto’s weirdo rockers give their listeners a heavy cognet dark progression of their multi-instrumental synth-psycho rock with their latest EP, Miss Bolivia. The single is an epic tale of sound with a stereophonic vocals that whisper to a dark adventure of guitars & drums that fold in and out to wicked synths & organs. We are totally hooked! See them Saturday @ Handlebar bring it all in! Go to their bandcamp on Saturday and hear the entire EP.

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New ¿Que Pasa? Videos for Tracks from Friendly Punk Album 'BIG MISTAKE'

“We can’t wait to meet you,” says the ¿Que Pasa? description of one of Austin’s most anti-pretentious, most-likable rock music bands. That’s not rock referring to the guitar-inflected whatever that mostly associates itself with that agin’ word these days; no ¿Que Pasa? is of the punk (with some post-punk notes and venturing into psych at times) flavored school of this rock thing, and they just put out a pretty damn good modern punk album this last December that is now gettin’ the music video treatment on a couple tracks.

That sentiment of welcome found upon yon FB page is an extension of the band’s general attitude, which presents a kind-of “friendly punks” attitude that, if you’ve ever known any punks that weren’t just into the life for the infamy, is actually dead representative of a certain side of the genre. “Infeliz” is the latest track off album BIG MISTAKE to get visuals, and it shows off a band that you just really wanna go get some P. Terry’s with after and hang out drinkin’ in a park or some shit. I mean, the other track with a vid, “My Family,” literally lists singer Liz Burrito’s friends, including all members of the bands and a few others, and involves cake, board games, beer, bathtub candles and the lyrics “My friends, they are my family.”

Yet, the punk is strong with this one, and the songs are fun and often heavy and harsh, and entirely sincere. Passion + friendliness used to be the unofficial/official Austin creative way, and in the modern muddle that is an Austin where Cheer Ups has to fight to preserve a beautiful natural limestone wall being torn down for no other reason than money, we’re fully into bands that keep alive the spirit that made Austin a destination in the first place and preserve something very Austin. ¿Que Pasa? is what Austin’s about in its soul, and you should all go and be their friends now. Seems like they’d be pretty into it, if yer a non-dick and all. Music video below, full album to be found at their Bandcamp here.

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Gracie and Rachel open for Porcelain Raft + work on debut release

A mountainous piece of shrill piano presses, thick string plucks, and violins that skitter only to soar... “Go” by Gracie and Rachel is simply beautiful. Apparently a song off a forthcoming album of the same name by the Berkeley-raised, Brooklyn-based duo, “Go” awes in its ability to make technical mastery into something moving and potentially transcendent. “It’s okay, it’s okay/To let your heart race, heart race,” goes a silky-voiced lyric, wondrous assurance sliding through. Gracie and Rachel will open for Porcelain Raft this Thursday (6.25) at TT The Bear’s Place Inc. in Cambridge, Massachussetts and will perform at Rockwood Music Hall on Monday, 6.29. In the meantime, listen to “Go,” and watch its ponderous black-and-white music video, below.

We added this song to The Deli's playlist of Best mellow songs by emerging NYC artists - check it out!





Slutty Hearts bring their noisy pop to The Trillium on July 3rd

"In the pocket" is a phrase used by music geeks to describe bands that are just... feeling it. And after a few years and some lineup changes, Portland's Slutty Hearts are there. Watch the closed-eyed communication between the band as singer Marisa Laurelle bashes a cymbal with a tambourine, smiling out lyrics about love crimes, and you'll see the prowess of musicians that have paid their dues. The confidence of their live set is obvious, yet there is a vulnerability that brings them to the level of the crowd. Combining the gritty realness of punk with the slick veneer of pop without sounding forced and pretentious isn't easy, but this band does it effortlessly - and with style. Catch them at the Trillium in Hood River July 3rd, or when they'll be covering the Kinks for Ray Davies Day at Bunk Bar July 15. - Just Dave





Eyelid Kid's Frosting Pop Lends this Damned Hot Summer Some Future Cool

As a fuckoff big Urban Outfitters goes up on the drag, and as a seemingly endless series of articles about the death of the Austin creative class at the hands of the Big Dollar swarms at us like a nonstop sandstorm of hurtytruth, it's nice that we at The Deli keep gettin’ an equal if not even psychically stronger swarm of good Austin music flowing at us from the other sociological direction. It helps to keep our souls from burning out, and it's especially cockles-warmin' (oh them neglected cockles) to know that there are still some Austin creatives out there succeeding at that most oldschool Austin of tasks, in that they’re able to both continue to make awesome shit and actually make a functioning business of it.

Among those makers who keep the good light burnin' and the money comin' in to the ATX the right way (and for the right people) is one Paul Grant- Record Label Manager at the stellar Raw Paw records, and the creative force behind Eyelid Kid, an electronic pop music act that just released an excellent new track of bouncy, tempo-changing beats called “Shadow Talk.”

“Shadow Talk” is a bit of a conundrum in this celebration-obsessed city, in that its very “now,” airy, thoughtful electronic production is complemented by lyrics that are all about frustration with dating someone who is all party all the time, a sentiment that you don’t hear expressed out loud that much here in Party City, Texas. If you’ve ever had the misfortune of being in the situation it discusses, “Shadow Talk” gets the feeling of being dead into someone while also being quite aware that they’re far more into themselves and The Party than is healthy just dead to rights. Lines like “But it’s just like you to blow me off” are almost painfully accurate that lopsided, always-doomed (but pretty thrilling while it lasts) dating set-up, but even if you’ve never been in that weird (and perhaps more Austin than we’d all like to admit) sexual limbo, the track itself is also just one gorgeously constructed piece of future pop music that should find itself buried deep in that part of the brain where ear worms live for any listeners who are into artful pop music.

Eyelid Kid himself calls it “frosting pop,” a moniker that encapsulates the “very bright and pretty and feels good right now” vibe of the track, though perhaps it undersells the somewhat outside-the-typical-pop-box thoughts in the lyrics. That fully pop-ness that also undermines pop expectations (lines could be maybe be drawn between Eyelid Kid’s approach and that of pop confusers PC Music) extends even to the album art, a manga-influenced piece by Blake Bohls that is very much in the realm of pop art but also very unlike most pop music record covers.

“Shadow Talk” is just one more piece of proof that Austin has a burgeoning pool of pop talent that is indie only in their disassociation with big labels and which fears no beat, and it is a wonderfully welcome piece of future-leaning pop music that is good for the Austinite’s soul, as it is for the soul of Austin itself. Eyelid Kid has only been performing since September, but it’s said that his shows are something magical to behold and more have been coming up of late (including a show at Empire Garage June 26th with The Deli Austin favorites Slooom and Shmu along with Hikes), so keep an eye on this entrepreneurial creator and embodier of the spirit of this city as it is when its being its true self at his Facebook page, and listen to the poplovely “Shadow Talk” below.

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