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Palberta launch Palberta5000 upgrade

There’s a certain frisson that happens when a talented collage artist juxtaposes a number of disparate elements and makes you see all the individual parts anew as a result, which serves as a kind of an expressway to the center of your skull aka the unconscious mind. 

On their fifth full-length unveiled today by Wharf Cat Records titled Palberta5000, Palberta has installed a system upgrade to the art-damaged post-punk haikus heard on previous releases. Self-reportedly digging into a buffet of Gen X alt rock and Millennial Disney pop ranging from Liz Phair to Avril Lavigne for inspiration, this instrument-rotating three-piece has written a bunch of punchdrunk new numbers that occasionally break their usual one-to-two-minute time limit and that place a new emphasis on their exquisitely shaggy girl group harmonies. 

The result is an album full of misshapen pearls of avant-rock-pop that fills the void of there being no existing No Wave Meghan Trainor or Justin Beefheart or Taylor Shaggs (please stop me before someone gets hurt) in the world up until now. Take a listen and consider your void filled.

In this blogger's modest appraisal other standout tracks include album-opener “No Way,” “Summer Sun,” and the Arthur Russell/Loose Joints quoting “All Over My Face” which is nearly five minutes (!) long. (Jason Lee)





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Time: 
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Band name: 
Digimarcon Home
FULL Artist Facebook address (http://...): 
https://www.facebook.com/digimarcon
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online
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Dave Vettraino "Exercise"

Dave Vettraino has primarily been known as a prominent and highly skilled recording engineer at Public House Sound Recordings up until the moment Brooklyn's Fire Talk Records released his debut album, Exercise, earlier this month.

A culmination of more than two years of working on this project in the quieter moments between recording sessions, Exercise is a layered, complex, rich ambient and drone based look into the mind that has engineered some of the finest album's Chicago has had to offer.

Below is the Jessee Rose Crane created video for "Benton Harbor", the album's third track and lead single.

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Dylan Weschler "After Ideas, Vol. 2"

Dylan Weschler has released a series of ambient albums over the last two months including today's, December 18th, After Ideas, Vol. 2. Weschler, the guitarist for Varsity, has utilized tape loops, synths, field recordings and guitars to create a beautifully peaceful, meditative five song moment of bliss.

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Son Lux comes out with "Tomorrows II"

It’s not easy to make a synthesizer or a sampler weep, or to make programmed/processed drums shudder in fright, but Son Lux has mastered these tricks alongside others--able to make their machines and their instruments breath and gasp and pant and sob. To be sure they also coax ecstasy, calm, and even hope (see "Prophesy" below) out of their gear, both electronic and organic, and from Ryan Lott’s choked-with-emotion voice. Son Lux may tend towards the melancholic but just as often these and other emotional colors are blended together to create new unnamed hues.

Maybe here it would help to consider the etymology of the word “emotion” (just nod along!) which is a combination of the Latin for “to move” and the Latin for “out.” Put these syllables together and it refers to “moving outside” or “going beyond” one’s normal boundaries, that is, transcendence. In the musical realm what better way to transcend this plane of existence and to "move beyond" than by entering a synthesized reality--a world we can more readily control (in theory, anyhow) and shape to mirror our own interior landscapes. One must wonder then where the popular notion comes from that regards electronic music as being automatically robotic, anti-human, and anti-emotional? Maybe Ted Nugent?

All the ways that Son Lux finds to weave together electronic and organic sounds--bringing distinctly human rhythms to the former, while frequently making the latter sound foreign in the true sense of the word--harkens back to what was arguably a golden age for these kinds of organic/synthetic synthesis as developed in the late 20th/early 21st century by artists like Bjork, Massive Attack and Radiohead.

Around a decade ago Son Lux took up this torch, or one of the torches at least, and hasn't dropped it since. Currently they're in the midst of releasing their most ambitious work to date: a trilogy of works starting with Tomorrows I put out earlier this year; continuing with Tomorrows II released a few days ago; and continuing soon with Tomorrows III. Or at least I assume that'll be the title unless there’s a serious misdirection at work here. Below you can check out a couple of more tracks from Tomorrows II, just try not to get too emotional. (Jason Lee)

photo credit: Lisa Wassmann

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