The Deli's SXSW Issue 2014 is online!
Read it digitally here.
P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!
Published: February 27, 2014 |
The Nightowls' Soulful Gift
Upon walking into Icenhaurer’s last Sunday evening, I found myself taken aback by the energy being emitted from the back patio. It passed through my ear canal, igniting an insatiable desire to jump, shout, and dance.
The Nightowls’ front man, Ryan Harkrider, calls their sound a marriage of Soul with Motown, encompassing jazz, blues, R&B, and pop. Covering greats such as Stevie Wonder, Al Green, and Otis Redding, these guys and gal are filling shoes and well.
Covers are not the extent of their nine piece repertoire, they also have an impressive list of originals such as their title track "Good as Gold", and "You Don’t Have to Worry (I’ll be There)".
Good as Gold, the Nightowls debut 2014 album, is a must listen. Catch these guys live every Sunday at Icenhaur’s on Rainey Street. And if you're here for SXSW, be sure to check out their first SXSW “Soulcase” March 14 at Icenhaur’s. -Written by Daniel Benjamin
Published: March 07, 2014 |
Austin 2014 issue (SXSW)
Read it here
Little Lo Come Back Out to Play
This lovely septet have been a bit quiet in preparation of their new album, but now they’re picking up steam again. If you saw As for everyone else, check out their latest single 'White Fields, White Noise' and enjoy the uplifting riffs. -Written by Little Lo play Lambert’s this past Saturday (March 1), you were treated to a sneak peak since they played the new release in full. Let’s hear it for more heartwarming tunes. Gillian Driscoll
Published: March 03, 2014 |
Criminal Birds Interview
They won our Year End Readers' Poll. You know them. You love them. And so do I. Here is my interview with
D: How did you guys come together?
CB: Three of the birds (Grahm Robinson, Taylor Dondlinger, Reggie Hastings) began playing together in high school and formed their first band together, Copasetic. After a year of struggling to find a competent and dedicated bass player the group disbanded in 2010 and reformed with the addition of bassist Gunnar Ebeling in 2011. The group is now known as Criminal Birds.
D: What's the story behind your band name?
CB: One evening we were "brainstorming" what we'd like to call ourselves. In that process we came up with more jokes than actual names. A very close friend of ours blurted "Criminal Birds" and initially we laughed, thinking that was his input to the "Who Can Come Up With The Most Ridiculous Name" game. This story ends with a text telling him that the name stuck and us asking for permission to use it.
D: What's your songwriting process like?
CB: Reggie is definitely the primary lyricist, but the music is totally collaborative. It starts in the jam room, typically with just one or two elements (bass & drums, etc.) Then we add layers, alter parts, and keep chipping away at it until we have a clear idea of what the song is or could be, and then we polish it. We like to keep the sounds fresh and ideas plentiful.
D: If you could tour anywhere, where would it be and why?
CB: Europe, no question.
D: Being from Denton, how did it feel to play in Austin for the first time?
CB: It felt a bit like home. The show was a success, we had an excellent crowd, saw some old faces, and met several new ones. It was also our first ever road trip with our new band wagon, so now it feels almost nostalgic to play in Austin.
D: There seems to be a burgeoning music scene in Denton, in your experience, how does it compare to Austin?
CB: In the past we've heard a lot of people try to put Denton and Austin in this sort of contest as if one is better than the other. Both scenes are teeming with talent, and have both produced numerous nationally and internationally successful acts, which to us speaks volumes. Naturally we tip our hats to our hometown, however the music fans and show goers in Austin have exceeded our expectations of the scene over the past year.
D: How stoked were you to hear you won our Readers' Poll?
CB: Like any competition, we were excited to win, but we were especially pleased to win this given Deli Magazine's track record and popularity. The credit really goes to our fans who voted and helped spread the word.
D: What's on the horizon for Criminal Birds?
CB: We will be releasing our sophomore EP in April followed by touring. We intend to really focus on Texas this time around. Which means we'll be stopping by to hang out with you guys quite a bit this Spring.
D: Long term goals and dreams?
CB: Like any aspiring musician, we'd all like to make the band a full time endeavor. Being able to book longer tours and eventually quit our day jobs is the main goal. Touring overseas would be pretty badass as well.
D: Anything else you'd like to say?
CB: Thanks to the reader for taking time and interest in us and what we do. Thanks to Deli and our fans for making this all happen. Just, thanks.
D: You're welcome. Best of luck to you guys. -- Interviewed by Charise Sowells
Published: February 27, 2014 |
Review - The Laughing - Oscillation
Indie pop quartet,
The Laughing, deliver delightful grooves sure to put a smile on your face. Their sophomore release, Oscillation, contains melodic songs with carefully placed accents - think airy but bold. Take the track “Disappear”, you can’t help but feel liberated as you sing along with Logan Middleton while he repeats, “now I’m free”. If you haven’t yet, be sure to check out their latest release, Oscillation. --Written by Gillian Driscoll
Published: February 24, 2014 |
Mount Pressmore Revives Progressive Rock
Rest easy Prog rock enthusiasts;
Mount Pressmore is here to keep the artsy, jazz-fusion genre alive and experimental in Austin. After a year of examining and perfecting their songs, Pressmore’s album, Enjoy, was recorded over just three short days before being released last year. Keyboardist and vocalist, Thomas Shaw, takes pride in the accomplishments of his band, as well as his father, Robert Shaw. With 14 Grammy awards behind the famed conductor, it is no wonder that his son Thomas will settle for nothing short of perfection in one of the most difficult forms of rock and roll music. Listen to their epic single, ‘Trampoline’, for a very Yes-like symphonic masterpiece matched with some very David Byrne-esque vocals. –Written by Jodi Lang
Published: February 21, 2014 |
Published: December 31, 1969 |
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