x
the_deli_magazine

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

best-emerging-bands-artists





Just a Person Doing a Thing | An Interview with Madeline Kenney

Madeline Kenney has had her hand in a lot of projects these last couple of years. Her latest album, Perfect Shapes, is a twang-hazy, dream pop collection with some killer guest stars. Produced in collaboration with Jenn Wasner (of Flock of Dimes, Wye Oak and Dirty Projectors, and with whom Kenney just released the split single The Sisters/Helpless), the album was a “synth-obsessed” production. She’s not interested in always making the same types of albums and sounds. She recognizes, too, what an honor it is to be able to play music as a core piece of her livelihood.

We met at a cafe that was blasting old crooner jams. Madeline was full of smiles, a confident-approachable attitude, and seems like someone who’d be a pleasure to work with. In an industry dominated by male energy and ego, it’s a pretty refreshing idea.

The Deli (TD): Do you think your work has been swayed by what’s going on right now? “Me too” and more women working in music engineering?

Madeline Kenney (MK): When my first record came out, this guy who interviewed me said at one point, ‘it’s a really good time for women in music right now’ and I said, ‘no offense dude, but what the fuck?’ I get where he’s coming from, but women have always been making music. Just because people pat themselves on the back for publishing more of it now doesn’t mean there’s any more or less music being made by women. Just because it’s cool now to write about women it’s just...whatever. But it turned into a great conversation that ended in us just talking about music and I’d much rather talk about that than the fact that I have a vagina.

TD: Amen. Speaking of which, you’ve been exploring new sounds, lots of synth, drum machines: can you share what gear you’ve been using?

MK: I've been using my Minilogue for everything! I also built a Subharmonicon at Moogfest last year that’s super fun. I use FunkBox on my iPhone for drum programming--it's really easy and has samples of tons of classic drum machines.

TD: Have you had any "life-changing" gear discoveries recently?

MK: I can think of several pieces of gear that changed my music! Namely my RC-30 looper pedal, which I use to write a lot. Also having a computer to record stuff with was a game-changer! Right now I'm just really into writing pretty straight-ahead guitar, vocal music, which is a change-up from my synth-obsessed 2018.

TD: So what kind of pedal(s) do you use? Can you describe your pedal set-up?

MK: Yeah, the chain is: tuner, EarthQuaker Dunes distortion, some cheap Chorus pedal, Boss PS-5 Super-Shifter, Memory Boy delay, Boss RC-30 looper, Boss DD7.

TD: What is your interest in production and engineering?

MK: I’ve made my own videos for a while and have directed for others. Before I had a budget I was shooting, directing and editing everything myself....I’d been trying to learn engineering and production--I did a lot of that at Women’s Audio Mission in San Francisco.

TD: Did you produce Perfect Shapes?

MK: We engineered the record together. It says it’s produced by her (Jenn Wasner), but it was a really collaborative effort.

TD: What other videos or projects do you have your hand in?

MK: I just produced a record for this woman, A. O Gerber, and then she had me do two music videos for her. I might be doing a music video for Rose Droll. I’m also going to be doing a video for John Vanderslice. So yeah, I’m just trying to get into that world, just a way to do something and as a way of making money. Because well, you gotta!

TD: And you shoot them yourself?

MK: I film them myself, yeah. Whatever gear I can get for the budget, I’ll use, then edit it myself. I’m not an expert--I didn’t go to school for it--but I really like doing it. And with every video project I get, I’m learning more and getting better. It’s really fun. You know what’s funny? When I was a little kid I would put on music in my room and dance around and sing to it and pretend that I was in a video. And in my brain I was like oh, too bad that’s not a real job. You can’t make videos for people, they just do it themselves. That was my idea!

TD: Do you have any advice for other musicians--especially young ones--who are trying to do this? As their job, their dreams, whatever?

MK: Thor Harris wrote this sage piece called, “How to tour in a band or whatever.” He talks about how if you’re an artist you’re essentially a nonprofit organization. You have to do something else to make money because people won’t pay for art. It’s always been that way. He’ll give you a reality check but also be like, still do this.

TD: What motivates you, when you’re really worn out? What’s your endgame?

MK: I think that anyone in this world of music needs to be hyper-aware of the fact that this is (usually) temporary. Never, ever take it for granted. But take LambChop: he’s amazing, has been making records for like 30 years, plays small venues. He’s always making new, insane-sounding things. He’s this 60 year old dude using a Vocoder auto tuner. But he works construction, too! It’s an industry where you’re either a hot hot thing, making tons of money and getting all the gigs, or, you just quietly put out a record, do your tour, and go back to your life. The latter is what I want. My end game is that slow climb: put out quality records, keep exploring new ideas and sounds. I want to always be learning new things, not just doing the same types of sounds over and over...My dream of dreams is to open my own bakery-cafe, so I can have that as my sense of permanence and then have touring or shows as a thing I continue to do, hopefully for my whole life.

-Interview with Michelle Kicherer, Associate Editor

header image: 
sites/upload-files/imagecache/review_image/kin.jpg
author: 
Michelle Kicherer
Subtitle (brief and awesome): 
An Interview with Madeline Kenney
Excerpt (short interesting quote from the Q&A): 
“I’m just so tired of hearing the phrase ‘bad ass women.’ What the hell is that? It’s demeaning. We’re just people doing a thing--why can’t it just be that?”




New MINT EP Available for Streaming & Download

Cancer is the official debut EP from punk quartet MINT. Meshing sincere observations with a snarky, sarcastic edge, the band creates a ramped-up, rowdy, infectious energy. Unapologetically in your face, the tracks push back against the status quo, while retaining a resilient, upbeat tone. The album was also recorded, mixed, and mastered by Wherever Audio's Kyle Gilbride.





New The Tough Shits LP Available for Streaming & Purchase

Warmer weather is on the horizon, and not so coincidentally, The Tough Shits have come out of recording hibernation with a new record, Burning In Paradise, out via Burger Records. The album captures a joyful, slow-burning, late-night, spring/summer aesthetic. They are melodic, sweaty, nostalgic songs that demand one to sing along with a sense of community; however, the tracks also fire on all cylinders with the undeniable ability to stomp and shred. You now have time to learn some lyrics for the band's upcoming performance at Johnny Brenda's on Monday, June 24 with Daddy Long Legs.





Video Premiere: Maren Celest “Nightshade"

We are proud to be able to premiere the new single and video for “Nightshade” from Maren Celest. This track is taken from her debut solo LP, I Saw The Sun, which will be released on April 19th via Candor Arts.

“Nightshade” is the second single, following “Petrichor”, from the new album, and it is darkly haunting sonically, visually and lyrically. This is a Psych Folk element to Maren’s music that gives it a slightly mystical feeling as well. She is also an accomplished photographer and the a collection of her images will accompany the vinyl release of the album.





Buzz Alert! Animal Show brings punk rock home on 03.29 at Baby's All Right

Since the fall of CBGB in 2006, punk rock (and its sibiling garage rock) lost its footing in NYC, and punk bands have been roaming around the concrete jungle for years now, playing obscure venues while disguising themselves as something else. Punk is dead, right? Not if you ask Animal Show who is the epitome of a bygone era of music with their hard pounding drumbeats, charged power chords, and fabulous fashion sense. Animal show delivers punk rock the way it was meant to be heard, no tricks or gimmicks, and it's currently in a New York groove, having just returned from a tour that included stops through SXSW and New Orleans. Their next stop, which is not to be missed, is here at home at Baby’s All Right on March 29. Check out their new record titled simply EP, out now. - Rene Cobar

|
|

- news for musician and music pros -

Loading...