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July 2016
Big Thief
"Masterpiece
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mp3

Throughout Masterpiece, the humbly sublime debut album from Brooklyn folk-rock quartet Big Thief, love braves through woe. As sung by the ever welcoming Adrienne Lenker, these painful yet vital songs near a height of beauty that reminds one of music’s transcendent power.

Following the nimble opener “Little Arrow,” the album starts its raw power with “Masterpiece” (streaming below), the rollicking single that deservedly drew attention a few months back with its panoramic view of searching souls. Like Bob Dylan’s generation-defining “Like a Rolling Stone” from the 1960s, this guitar-trickled song is both addicting and elegant, rough and pretty and, ultimately, lasting in its sheer soulfulness.

A series of lyrically vivid tracks named after potential lovers (“Paul” and “Randy,” for example) follows next, alongside guitar-winded cuts that briskly tackle such elusive motifs as romance and the transience of time, emitting an overall beatific aura in the process.

The type of record that has the possibility of transporting the listener to a calmer, perhaps better plain of existence, Masterpiece is not just the first offering from an intriguing new band but a preciously passionate work in and of itself. – Zach Weg

 
The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
Swans
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
Nas
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


Read online issue 47 of The Deli NYC: Stompbox Exhibit Issue!

Dear Deli Readers,

Issue #47 of The Deli NYC is now available online, you can read it here!

It's the Brooklyn Stompbox Exhibit issue! See section about pedals in the second half of the magazine, in part curated by Gearphoria.com.

Enjoy!

The Folks at The Deli NYC


This blog is currently not active

This Deli blog is currently not active.

The Deli covers local scenes through dedicated blogs focused on emerging artists. If you are interested in running this blog please contact us at this email address.

The Folks at The Deli

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Read The Deli's SXSW 2016 "PsycheDELIa" issue online! Yonatan Gat and Lewis Del Mar on the cover

Check out the SXSW 2016 issue of The Deli Mag, now available online, and distributed in print next week in Austin during SXSW's Music Week. You'll find copies of it also at our SXSW Stompbox Exhibit and Synth Space!

Yes, we've done things a little differently this time: we shaped this rag the size of a 7" record, and created a "concept" issue almost entirely dedicated to Psychedelia, with a feature by our editor Brian Chidester about how this musical genre has become more and more influential in the new millennium. The two cover artists, Yonatan Gat and Lewis Del Mar, serve as the two extremes within which Psychedelia has expanded in recent years.

As usual, the issue also gathers:

- A lot of emerging artists (mostly psych this time),
- The winners of The Deli's regional Year End Polls for Emerging Artists,
- The winners of The Deli's Best of 2015 Readers' Polls,
- A section dedicated to the SXSW Stompbox Exhibit and Synth Space

We hope you enjoy the read and get to know some awesome new music.

The Folks at The Deli


Album review: Temp Tats - Ions

Temp Tats describe themselves as “somewhat spastic R&B.” I don’t think a better description of this sound could possibly be put into words. Their debut release, Ions, was released on December 14. In my own words, this album is confusing, poetic, psychedelic R&B. As soon as you get into the groove of any given track, it spins you around leaving you to wonder how you got there. You just sit and groove and try to find the root of the song you were just so into. WHOA. WHAT JUST HAPPENED?
 
The opening track to Ions is “Laser Lites.” Luke Waye’s sweet and smooth spirals are our anchor as we swoon over Eric Schuman’s vocals. “In the most perfect worst way” is the lyric that takes us out of the track over Chris Paul’s psychedelic guitar. Chris nails this sound, not overpowering. It sucks you in and leaves you tipsy. This track, while very good and currently stuck in my head, is not indicative of Ions.
 
The most interesting track, in my humble fan’s opinion, is “Cinnamon Spices.” This track was recorded by the locally famed Jorge Arana. If there is a genre for this sound, he might be the king of it. The track opens gently: Joel Schuman tickles the keys, you prepare for some sweet R&B. Luke layers cymbals underneath. Chris drops out and gives Eric some space for his smooth stylings. Eric takes you away with one poetic, run-on, beatnik sentences that you completely agree with. About halfway through the track, closing the second verse, something happens that changes everything. Wait for it, “no. NO. NO. AAAAAAHHHHHHHH!!!!” Eric lets out a metal wail. What? And that introduces the second half of this track that just turns into a guitar and keyboard explosion. It left me dazed, wobbly, and out of control.
 
My favorite track on Ions is “Slackjaw.” Let me be honest here, because it’s sexy and it makes me feel things. The fusion of every rule they break is so good. I’m exhausted listening to Luke. This track is nothing without his intensity. Joel’s keys seem to be placed just perfectly, they mellow out the magic chaos Luke and Chris are creating. The part that makes me feel things, Eric’s tenor and his lyrics on this track. His I-don’t-care, but-my-heart-is-broken, but “I am counting down the days until the next jailbreak” confidence. Gets me.
 
Fun Fact about Temp Tats: two of the members—Luke Waye and Eric Schuman—were the founding fathers of a little band called Ambulants. Self-described as grunge/jazz, they shared a few shows and a split 7” with the Jorge Arana Trio. That sound still resonates a bit, breaking rules and leaving me a little shaky, but in a much better way. Well done. I cannot wait to catch this party live. I’ll double up on my Ritalin dose when I get home.
 
 
--Jess Barrett
Haver of sweet dance moves and stealer of t-shirts.
 

Your next chance to see Temp Tats will be this Saturday at Davey’s Uptown. They’ll be playing with a host of other KC groups in support of Bernie Sanders. The BERNing Man KC rally starts at 4 pm, with $10 suggested donation going toward Sanders’ campaign fund. Facebook event page. 


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