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July 2015
The Great Void
"Shift Age

If you're one of the few not plagued by thoughts of mortality and burdened by self-reflection, consider yourself lucky. If you're a brooder, however, then Shift Age, by NYC dark electro-rock project The Great Void, might be the record for you. It bears all the outwards signs of happy pop music, though the longer you listen, the more surreal it gets. Especially vivid is “Medicine Ball,” whose plunky synths and new-wave vocals divert bleakly-rendered lines like, “I know we'd have fun/But you're much too young.” By “Shift Age (Part 2),” it's clear the gloss is just a cover for deconstructing nostalgia itself. “Out with the days of the old ways” sings leader Josh Ascalon before a barrage of high-pitched squeals surge towards an apocalyptic finale. Or maybe that's just the hardware inside his keyboard threatening to fry out? - Brian Chidester

The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Lydia Lunch
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Blonde Redhead
Grizzly Bear

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!

Cry to Liphemra's newest post-breakup single from Future Gods

The experimental pop act Liphemra just dropped the title track to their upcoming EP "did u cry", and it is so lit. Gradients of fuzz drone, sliced loops, synth pads, and bass licks kick up the turbulence as singer/percussionist Liv Marsico lets loose a torrent of reverb between verses. The sonic whirlwind recedes she brazenly asks the question: "Did you even cry? / Did you even try?"

The simple verse recalls the sheer emotional weight of post-breakup feels, as crushing as the instrumental monument built and razed before it.

"You break up... Never talk again. You just want to know if they cried," Marsico bluntly puts it.

The team has been holed up in their Mid City rehearsal space for the better part of the year, painstakingly recording and producing the EP after a brilliant string of performances with Algiers, Young Fathers, HOLY CHILD, and appearances at Lolipalooza and Echo Park Rising. Liphemra is at the final stretch, honing their live sound to reflect the EP's brilliance — there likely won't be any further shows until early next year, says Marsico.

Expect the drop of "did u cry" next March through LA-based Future Gods. Listen to the title track here. - Ryan Mo, photo credit Arvida Bystrom

The Deli gives you six reasons to attend Culture Collide Festival this year

Culture Collide Festival, the brainchild of Alan Miller (co-founder of FILTER Magazine), returns for its sixth year of international music discovery. The festival partners with record labels like 100% Silk, Stones Throw, Sargent House, IHeartComix, and more to introduce over 40 fresh faces and nationally renowned acts to connoisseurs of the West Coast, spanning three days in several venues dotted across Echo Park: TAIX, The Champagne Room, The Echo/Echoplex, Echo Park's United Methodist Church, and Lot 1 Café.

Bands travel from their homes in Canada, Australia, New Zealand, Israel, Korea, France, Ecuador, Peru, and more to perform in the musical melting pot of Los Angeles. This year, Culture Collide has also teamed up with the Modern Sky record label to feature a special Chinese Indie Night at the Regent Theatre (10/9) with acoustic folk performer Song Dongye (宋冬野), synthpunk New Pants, and Miserable Faith (痛苦的信仰乐队). Purchase tickets or learn more about the bands here.

Not quite sure about going to Culture Collide? Here are six good reasons to make your mind up:



Nick Diamonds: The Canadian musician has fronted dozesn of bands including the notable Islands, collab'd with notables like Alpha Pup's Daddy Kev and Honus Honus (Man Man), even helping to pioneer a genre of music called Doom-wop. Now situated in Los Angeles, Nicholas Thornton reveals the great follow-up to his 2011 debut: the bedroom bummer, electro-noir full-length City Of Quartz

Cruising back from his recent tour through SF and Santa Cruz, Nick Diamonds will perform at the Echoplex on 10/9. Check out the single to City Of Quartz, "The Sting", below.



The Album Leaf: The solo project of Tristeza's original member James LaValle is among the most respected in post-rock circles, invigorated with glitch and ambient spirits that diverged from his guitar-centric peers. Since the release of A Chorus of Storytellers in 2010, LaValle has spent the last two years working on a new album, and he's bound to play some unreleased tracks at Culture Collide.

The Album Leaf plays at The Church on Friday 10/9. Heads up: a video for his newest single "New Soul" drops the same day. Listen to his last single featuring folk solo artist Peter Broderick, titled "Never Held a Baby".



The Grounders: Toronto's psych-y krautrockers celebrate the release of their self-titled debut LP, a sonic poptart with lo-fi noise crust enveloping a gooey synth filling. Following their 2013 EP "Wreck of a Smile", bandmates Andrew Davis, Daniel Busheikin, Mike Searle, and Evan Lewis got together to explore Zombies and David Bowie with a self-help guide by David Lynch and Meditation for Dummies. The result: a blissful and cogent series of recordings laid out in Davis' Toronto bedroom and a studio-converted garage stacked with vintage equipment. 

Listen to the single "Bloor Street And Pressure" and watch them twice at Culture Collide: 10/8 at Lot 1 Café and 10/9 at TAIX.



The Vim Dicta: Channeling glorious garage-y psychgroove from the LA basin, The Vim Dicta's Cori Elliot, Matt Tunney, and Chris Infusino were regarded by The Deli's staff as one of the Best New LA Bands in 2012 with their live-recorded debut EP "Lucky Strike". The 2013 follow-up "Von Tango", a five-song collection of guitar scuzz, jazz growl, and noir grit, furthered the notion that Los Angeles hadn't seen the last of devilishly soulful music — rock certainly is not dead, at least not for The Vim Dicta. With a new album in the works, the trio are currently performing a free spread-out residency at Harvard & Stone (next show on 10/21). 

The Vim Dicta plays Saturday 10/10 at TAIX. Listen to "Stallion" off the "Von Tango" EP below.



The Mynabirds: A previous Deli feature, The Mynabirds' Laura Burhenn fronts a blend a garage rock, pop, R&B, and soul that has turned the heads of every tastemaker across the coasts. We waxed poetic about her summer release Lovers Know, which was featured on NPR and reviewed positively by Drowned in Sound and The Line of Best Fit — need we say more?

The Mynabirds wrap up their US tour for Lovers Know at The Echo on 10/9, and if you haven't seen them perform yet, you can thank us later.



WYM: The solo project of modular synth artist Jun Hyung Byun, alias bjorn (뵤른) and one half of Seoul Disco's electronic duo MDS, makes his LA debut at Culture Collide. WYM's aesthetic is derived from careful manipulation of '80s patches to create prismatic soundscapes that combine dreampop, chillwave, ambient, electronica, and synthpop like his peers YUKARI, Clazziquai, and House Rulez. This isn't the K-pop that's been taking over the states by storm; it's a taste of Korea's electronic underground that your ears have been deprived of for years. Better late than never.

He plays two shows at Culture Collide: one on Thursday 10/8 as part of SeoulSonic's showcase, and another on Saturday 10/10 at Lot 1 Café. Listen to the title track off his debut album After Moon. - Ryan Mo

Chamber Wave quartet Inner Ecstasy performs tomorrow with Young Lovers and more

Musicans have always strived to capture the primacy of human experience — some using tried and true approaches while others play with the strange and eccentric. But for the chamber group Inner Ecstasy, communicating felt truths often involves balancing the classical with the experimental, harnessing the provocative spirits of music's golden age and its avant-garde. Isaac Takeuchi, Vicki Scotto, and brothers Steve and Gabriel Armenta pull from influences spanning centuries apart — from Johann Sebastian Bach and Philip Glass to The Velvet Underground and Sonic Youth — wielding the harmonious and the dissonant to chronicle the voyage of raw emotion.

After a first show at the inaugural LAB•FEST in 2013, Inner Ecstasy signed to DIY label Noise Met Sound, where they released their first EP and went on to play with acts like Liphemra and Bür Gür. The group has been strong advocates of the DIY music/arts community, supporting venues like the LA Fort and LAST Projects in the past years.

Inner Ecstasy plays an all-ages show tomorrow at the Ave. 50 Studio in Highland Park with Sean Pineda, Voice on Tape, Austin's dream pop noir duo Technicolor Hearts, and Los Angeles post-rock Young Lovers. Listen to the haunting "Ascension" below and come to the show tomorrow; doors open at 6 PM. - Ryan Mo

Loud, hot, and chill with Crescendo, Hillary Chillton, and Hot Flash Heat Wave

The beginning of October is sign for shorter days, chillier nights, and pumpkin spiced everythings, but down here it's still hot as hell. And tonight it's only gonna get hotter, louder, and chiller: turn up and get sweaty in the walls of vintage equipment store and supporting venue Timewarp Records as two recent Deli features, Hillary Chillton and Crescendo, welcome San Francisco's summer-eyed Hot Flash Heat Wave. The Bay Area baes wrap up their West Coast tour this weekend, celebrating the release of the sunbathing Neapolitan LP with two back-to-back shows in Santa Monica and Fullerton (@ The Continental Room with BURGER RECORDS' well-done lineup).

The event moved venues from The Heart of Art Gallery, after an incident of vandalism in late August prompted the space to shut down. SFV's trillest emo-soul trio The Unending Thread unfortunately had to pull out as well — big ups to their guitarist/vocalist Cesar Alas, who co-organized the event! Listen to "Malibu" straight off HFHW's Neapolitan below. Doors open 8:30 PM, $8 admission to help the music fam. - Ryan Mo


What's your favorite Emerging NYC Artist on this list?
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