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A Heart is a Spade: Savoir Adore Debuts New Video



December 2014
Frankie Cosmos
"Zentropy
"
mp3

If you like unassuming, short and charming pop songs about high school, firemen and buses, look no further than 19 year old singer-songwriter Frankie Cosmos. In her just released first full-length 'Zentropy,' (though she's put out at least 40 other digital records on Bandcamp over the years - no joke!) Greta Kline reveals much of her inner child, whether singing about what her dad is up to or how birthdays don't mean you're getting older. But 'Zentropy' equally exposes a young lady just beginning to wrestle with explorations of love and life anxieties. It's a fascinating journey just begun, and songs like "Birthday" (streaming below), showcase a melodic talent that's not afraid to experiment with tempo changes and assorted influences, without losing her signature, intimate style. 
If Frankie Cosmos manages to keep half these levels of prolificity in her 20s, we can definitely expect a bunch of hits from her. Because great music - like everything else - is all about trying hard. - Mike Levine (@Goldnuggets)

 
pic
Slim Wray
blues rock, happy hearts
by: Michael Haskoor date:April 4, 2014 - MORE
Tei Shi
mermaid music
by: Dean Van Nguyen date:March 17, 2014 - MORE
Christine Hoberg
minimal heavens
by: Dean Van Nguyen date:January 7, 2014 - MORE
Oh Honey
short and sweet with mitchy collins
by: Sam Kogon date:December 20, 2013 - MORE
The 60's
Bob Dylan

Simon and Garfunkel

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Sonic Youth
Bad Brains
Beastie Boys
Bruce Springsteen
Swans
The Feelies
Laurie Anderson
They Might Be Giants
John Zorn
Arto Lindsay
Sonic Youth
The Fleshtones
The 90's

Jeff Buckley

The Magnetic Fields
Yo La Tengo
Soul Coughing
Cat Power
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


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Running the CMJ Marathon 2012 - Day 1 - by Josh S. Johnson
Blonds, Laura Stevenson, The Nightmare River Band, Sean0Sean, sami.the.great, Brainstorm, Everest Cale



The second best part of CMJ, after of course the opportunity to see tons of great bands for five straight nights in the greatest city for music, is the process of sorting through the seemingly endless list of bands in order to meticulously plan your personal schedule down to the minute. That feeling of invincibility concerning the laws of time and space is an awful like the one you get when you develop grand plans to start exercising and working out.  That brief sensation of euphoria lasts right up to the minute you told yourself you were going to start. Then you realize you already walked something like three flights of stairs that day, so really there’s no need to exercise.

Similarly, that confidence in a CMJ strategy lasts for the all too brief period between the schedule’s release and when the first band you see doesn’t start or finish on time. Suddenly those hours of planning turn are for naught as you blindly choose a venue to visit next. Yet the chaos of CMJ is part of its undeniable charm. As my uncle once said to me while my dad tried to figure out how he forgot to turn the lights off in the now-non-starting rental car we were driving through the middle of Alabama: “It’s part of the adventure.”

My CMJ adventure started with an example of the aforementioned scheduling hassles. I arrived at The Rock Shop around 7:30 with the intention of catching Brooklyn’s Howth, who released a solid indie-rock album, “Newkirk” earlier this year, at 7:45.  However, I soon learned that the band that was supposed to play at 7, Sean0Sean, was just beginning their set. Not wanting to leave Brooklyn empty handed, I stuck around and declared Sean0Sean, led by Brooklyn-born Sean Kiely, my first band of CMJ 2012.

Not only did Sean0Sean’s Rock Shop gig break the band’s CMJ virginity, it was their first gig, period. Hearing that, I felt that there wasn’t a better way to begin my week of researching upcoming bands than with a band that has never played a show before. When I arrived, the band consisted of only a guitarist and a bassist, but I was optimistic since I love the Flight of the Conchords. Well, Sean0Sean weren’t quite as entertaining Bret and Jemaine (and Murray, present), but they did bring a sort of straight-out-of-the-garage charm. Eventually a drummer joined the duo, and the newly formed trio banged out some solid garage-rock tunes.

brainstormAfter a brief excursion in Brooklyn, I made my way back to the East Village, where I spent the remainder of the night. First up was Portland, Oregon trio BRAINSTORM at the Lit Lounge. BRAINSTORM was certainly fun to watch and listen to, mostly due to the drummer/singer’s energy and the guitarist’s oscillation between psych distortion and the fluttery cleanliness of indie-rock. Also, the guitarist frequently put his instrument aside to grab a tuba, so that was neat.

nightmare river

I then made a quick walk to the Bowery Electric, where I caught the last couple songs of pop artist Sami Akbari, aka sami.the.great. Sami’s performance of Cyndi Lauper-like pop songs was enjoyable to watch and listen to, but it wasn’t particularly my cup of tea. However, the next act up at the Electric, The Nightmare River Band (pictured), was right up my alley.

The Nightmare River Band is the most aptly named band I’ve seen so far at CMJ. Many of their songs possess that sort of romantic notion that if the boat is sinking, then fuck it and party while you still can, specifically “Last Goodbye.” Ironically, they opened with “Last Goodbye,” which, at least by looking at its title, would seem like the perfect closing song. Instead, the band closed with an inspired cover of “I’m Gonna Be (500 Miles)” by the Proclaimers, which was somehow an even bouncier version than the original. The dueling guitar and bass solos certainly helped. Overall, the Nightmare River Band a great set filled with some rather awesome rock n’ roll songs.

Returning to my home turf, I set up shop at the Delancey to see Blonds (top of page picture) perform at the Deli's Rootsy showcase. I had high expectations for the duo, who performed as a five-piece live, and they were undoubtedly exceeded. Singer Cari Rae began the show with her smoky, sultry vocals. Just as you start to view Rae as an angel from heaven, the instrumentation, led by guitarist Jordy Asher, knocks you off the side of the earth down into hell. Rae’s smile turns to a snarl, and her swagger rises as the controlled chaos builds around her. Every song took on new power live. While the studio version of “Mr. E” embodies the suaveness of James Bond, then the live take sounds like what happens when you replace 007’s martini with an assault rifle. With their commanding take of an already strong catalog, Blonds proved to be the highlight of CMJ Tuesday.

l

After a misguided attempt to squeeze in seeing a band at Fontanas, I returned to the Delancy just in time for the tail end of Laura Stevenson & the Cans. Stevenson commanded the packed room with her confident folk-rock.

brainstorm

After Laura, I ended my first night of CMJ 2012 with Everest Cale The strength of Everest Cale’s debut EP, “Beast,” comes from Brett Treacy’s fantastic voice, which, at times, sounds like the late, great Layne Staley. While Treacy did howl like the eponymous beast, the star of the band’s performance at the Delancey was guitarist Jeremy Kolmin. Kolmin would rip off blistering solos while bending notes to new heights. With Treacy’s vocals and Kolmin’s guitar, Everest Cale delivered a high-quality performance. Plus, they won the coveted “Best Line of Stage Banter Award” with this gem: “You drunk assholes go fuck yourselves” (said jokingly, of course).

 

 

 

 
 
 

 

The Deli's CMJ Shows 2012

 

 
 
 

 

SUBMIT: THE DELI'S BEST OF NYC 2011 YEAR END POLL

Deli readers in bands,

Every year, The Deli's Year End Polls highlight hundreds of the best emerging artists in the 11 local US scenes we cover - and reward them with prizes from our sponsors.

As you may know, the winner of the NYC poll will grace the cover of the spring issue of The Deli.


Now established artists like Local Natives, Yeasayer, Twin Shadow, Vampire Weekends, Vivian Girls, Ra Ra Riot, Girls, Kurt Vile, Baths, Pains of Being Pure at Heart, Blank Dogs, Buke and Gass and many others won or did well in our polls months if not years before getting international recognition.

The end of the 2011 is quickly approaching and we are ready to go through the painstaking 2 month process involved in selecting the artists and processing the various votes. We are already asking our local jurors (mostly venue promoters, bloggers, record store and radio personnel) to cast their vote for their favorite local emerging artists. But of course, our polls are open to all bands who want to be considered: free submissions are open from now until December 4th HERE - after that date we'll have $5 submissions through SonicBids for another couple of weeks. All these submissions will be grouped by genre and filtered by The Deli's local editors and some Deli writers.

To submit for consideration and for more info about our year end polls please go
HERE.

Good Luck
The Deli's Staff

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Deli CMJ ELECTRONIC STAGE - TONIGHT, The Delancey - FREE!

At The Delancey on Tuesday 10.18 we'll have a truly fantastic bill with 9 NYC based electro-pop bands - and it's going to be free!. 21+ - $8.
Full listings of the Deli's CMJ shows here. See below for the Dream Pop and Alt Rock stages that same night in the same venue (downstairs).

P.S. If you are into Pedal Effects, don't miss The Deli's STOMP BOX EXHIBIT at CMJ on Friday and Saturday!!!

ELECTRO STAGE

7.00 - The Casualty Process



7.40 - Illuminator
8.20 - Tiny Victor ies
9.00 - Mitten
9.40 - Computer Magic


10.20 - Psychobuildings



11.00 - Pretty Good Dance Moves


11.40 - Caged Animals


12.20 - Slam Donahue

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December 2014
Frankie Cosmos
"Zentropy
"
mp3

If you like unassuming, short and charming pop songs about high school, firemen and buses, look no further than 19 year old singer-songwriter Frankie Cosmos. In her just released first full-length 'Zentropy,' (though she's put out at least 40 other digital records on Bandcamp over the years - no joke!) Greta Kline reveals much of her inner child, whether singing about what her dad is up to or how birthdays don't mean you're getting older. But 'Zentropy' equally exposes a young lady just beginning to wrestle with explorations of love and life anxieties. It's a fascinating journey just begun, and songs like "Birthday" (streaming below), showcase a melodic talent that's not afraid to experiment with tempo changes and assorted influences, without losing her signature, intimate style. 
If Frankie Cosmos manages to keep half these levels of prolificity in her 20s, we can definitely expect a bunch of hits from her. Because great music - like everything else - is all about trying hard. - Mike Levine (@Goldnuggets)

November 2014
Cloud Becomes Your Hand
""Rock of Cakes"
"
mp3

Psychedelia is often associated with big guitar parts, lots of reverb, and a sound that's at once surreal and epic - I guess that's the heritage left by bands like The Doors and Pink Floyd. But there's a less grandiose, more playful and varied current of psychedelia, more interested in the bizarrely kaleidoscopic side of dreaming. Forged and explored in depth by The Beatles, it was rehashed most famously by Olivia Tremor Control at the turn of the millennium, and less famously (but brilliantly) by XTC with their side project The Dukes of Stratosphear in the mid 80s. This is the sonic ground were Brooklyn's Cloud Becomes Your Hand draws inspiration, adding to the mix their penchant for crooked, almost jazzy melodies, which place them on similar songwriting terrain as other heavily experimental but gentle sounding NYC bands like Dirty Projectors and Celestial Shore (both past Deli Records of the Month). These elements make of "Rock of Cakes" a psych-pop album without pop melodies (therefore not really pop music) but nonetheless extremely imaginative and enjoyable. Stream the full album here and see the band live at Roulett on Sunday 03.02.

LINKS: John McGovern Interview with Cloud Becomes your Hand

Buzz Alert! Weyes Blood plays strings on NYC shows, opens for Woods on 04.22

We all know how hard it is for emerging musical acts to get any kind of recognition, and it's safe to say that making music that can be described as "mournful" doesn't help trigger word of mouth nor buzz. But then there's that crucial component that changes everything: the moving power of music - live music in particular. That's probably why these days - in spite of the mournfulness of her music - it seems like everybody wants to book Weyes Blood (aka Natalie Mering, who placed 34th in our latest year end Best of NYC Poll for Emerging Artists). 

In 2011 the then Baltimore based songstress released "The Outside Room,"a heavyhearted sounding 6 tracks mini-album filled with songs that had their ideal ambiance in decadent medieval churces - or even catacombs. After a recent move to Brooklyn, Natalie struck a deal with powerful label Mexican Summer, and now keeps landing on really good bills on an almost weekly basis. She'll be opening for Liam Finn tonight at Union Pool (where she'll be performing her soon to be released new record in its entirety), and then she'll be opening for Woods at the Red Bull sponsored show at Baby's All Right on April 22. More dates are on the horizon at The Rock Shop, Mercury Lounge and Northside Fest.

If this is not an emerging artist you want to check out now - what is? Here's a track from Weyes Blood debut album.

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NYC's Rock'n'Rollers The VeeVees become a trio on 05.02 at Pianos

With their sharp guitar riffs and pounding drums, fraught with sexy attitude and soulful edginess, Brooklyn-based The VeeVees epitomize rock ‘n roll in its most strict definition. The duo’s sound and presence will be growing by 33.3%, officially transitioning from a two-piece to a trio, since Garrett Cillo (vocals/guitar) and Andrea Belfiore (drums) are welcomimg bombshell Sophia Urista on vocals. The inaugural show is slated for May 2 at Pianos NYC, where The VeeVees will take the stage for a special hour-plus set, sharing the stage with local bluesy rockers Butchers of Sky Valley. Check out The VeeVees’ newest, “Groovin’ Swoon” - and imagine a female vocalist on it!

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Which of these acts should be The Deli's next NYC Artist of the Month?

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