This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts



Band on the Rise: Summer Hours

Summer Hours' first record couldn't have been better received. From Deli Mag's own glowing review to Alter the Press's ecstatic write-up, the band's come a long way with their breezy sound in a short time, especially considering their drummer Griffin Richardson has roots in noise rock. Latest single 'Close and Closer' keeps the waves crashing against the shore, as singer Rachel Dannefer keeps the energy going while still managing to sound entirely laid-back. Explore these unlikely contradictions on their SoundCloud. - Mike Levine (@Goldnuggets)


Brooklyn Electro-Soul: Fanesha Fabra

You know.. I don't think I listen to soul enough, so I guess I forget sometimes how involved a lot of this music can get. For chanteuse Fanesha Fabra at least, these are some dense and swirling pads and beats, fronted by her breathy and powerful soprano, her worlds are every bit as dense and powerful as anything coming from NY these days. Along with producer Chikara Aoshima, electro-soul jams like 'Take Your Time' and 'Transform,' the Brooklyn artist cools things down while boiling over with soul. - Mike Levine (@Goldnuggets)


NYC Americana: Ten Ton Man

Ten Ton Man has been in and out of love, bars, trains, and after such an eclectic journey... the itinerant bluesman has finally released his debut record, 'Fall Down.' But for all the stylistic highways Paul Livornese's scruffy baritone travels throughout Americana, his songs are most effective when used to bring down the hammer, like the judge/jury/executioner style of 'Dearly,' a track where he vows justice for those betrayed. Thankfully for the rest of us, he has plenty of songs about redemption here too. See him when he plays ZirZamin on Wed, Mar 27th. - Mike Levine (@Goldnuggets)


Outernational release “Here Is The Rose” EP

Last week New York-based Outernational released their four track EP “'Here Is The Rose” in honor of International Women’s Day. Produced by Tom Morello it features a litany of special guests, including Lindi Ortega, Chad Smith, Bridget Barkan, Gil Sharone, Joe Tomino, Trevor Welch and Sonny Singh. Known for their politically charged message and fiery rock sound, Outernational takes a more celebratory approach for this special occasion. Upbeat dancy number “Here Is the Rose” kicks off the record and is followed by “We Own the Night” which swings with infectious guitar/trumpet riff interplay. “She Craves Spring” slinks along with seductive beats and romantic flair in the form of crisp guitar solos Closing out the record, “Ladies of the Number” showcases the band’s masterful multi-part harmonies and acoustic roots. The EP is available for FREE download here. The band is in the midst of a March residency at Arlene’s Grocery, and will be performing March 13, 20, and 27, then at Bowery Electric on May 10. – Meijin Bruttomesso


Gina Mobilio's "Razor Behavior"

I first came across Gina Mobilio's music at her debut album release at The Side Walk cafe a couple of weeks ago during the Anti folk festival. The song "Razor Behavior," which is also the title of the album, is what first captivated me - a morose song about the consequences of self-destruction and personal liberation, enough to make Sylvia Plath smile from her grave. The New Jersey artist grew up listening to oldies stations, and was obsessed with doo wop - and it shows. The rest of the album isn't as hard-hitting and melancholic as Razor Behavior, but it’s real, and at times funny, and honest; her showtune-esque feel is unique in an era of mass-indie rock and EDM-inspired mainstream music, and her sound is reminiscent of a Broadway performer gone completely rogue. Gina's stage presence is equally as captivating, engaging the audience with quirky and somewhat off putting lyrics, accompanied by a piano, and at one point a saxophone (her album features the likes of Ben Pagano, Charles Mansfield, and Julian Samal). In an interview with the artist, we found out that the album is influenced from a tumultuous musician relationship gone wrong, a somewhat quasi response letter in Taylor Swift fashion. -Kristyn Potter


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