x
the_deli_magazine

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

nyc





Henry Grant maintains composure on new track “Stay Well (feat. Ryan Wyner)”

You’re likely already acquainted with the psych-laden, occasionally crunchy sound of Henry Grant by way of his previous project Zula, and new single “Stay Well (feat. Ryan Wyner)” shifts Grant’s hazy instrumental approach from driving indie rock towards hazy dream pop. Still present is an off-kilter, DIY approach to instrumentation that gives “Stay Well” a discordant-yet-melodic energy, albeit such sounds are now presented at a chilled pace. Moreover, this steady, dreamlike quality lends itself well to Grant’s lyrics, which detail the quarantine distance, the process of “celebrating lonely sounds” and “laying low till they figure it out.” While certain elements of Grant’s songwriting feel anxious and claustrophobic at times (“formless feelings, melancholy”) the track’s mellow, progressive structure endows a sense of resolve, an ability to maintain cool composure in the center of the storm. Stream it below, and watch Henry Grant’s page for more intrepid synth later this year.

|




Aubrey Haddard embraces (and avoids) the spotlight on “Thin Line”

Brooklyn-based performer Aubrey Haddard understands the scrutiny one faces as a performer — the inkling that “everyone’s watching,” of feel[ing] on the display.” Such sentiments influenced her latest single “Thin Line,” a new pop offering with strong indie rock roots. Driven by a walking alt soul baseline and a punchy percussive backbone, Haddard’s melodious range dominates the space, bringing the necessary bravado this maximalist effort, while lyrically detailing feelings of uncertainty, or in her own words, “starting to realize I’m walking on a thin line” just as everything seems to be going fine. It’s a clever(and catchy) exploration of the singer’s psyche, a track that splits the difference between extreme confidence and self-doubt that feels quintessentially human — watch the video below, and keep an eye out for Haddard’s forthcoming LP, out later this year.

|




PREMIERE: Los Cumpleaños dazzle on experimental debut “Agua”

New York experimental pop outfit Los Cumpleaños subvert expectations on new EP Agua, making for an exciting, thoroughly novel release that modulates between styles conventional and avant-garde (and back again). While each of the extended play’s four tracks finds its footing a heavy Cumbia rhythm, heady synth leads and expressive brassy fanfares quickly fill in the space, lending a psychedelic atmosphere which, combined with double time segues, create an ecstatic, joyful energy throughout the effort’s roughly 23 minute run-time. Moreover, Los Cumpelaños synthesis of elements old and new enables electronic experimentation, while retaining elements of traditional Colombian music, in a manner that feels both contemporary and classic — more importantly, it’s an EP that’s nearly impossible not to dance to. Recommended for fans of artists like Sun Ra, Flying Lotus, Animal Collective (or anywhere in between), stream our premiere of this rousing release below. Photo by Brennan Cavanaugh

|




Grace Ludmila takes no prisoners on new track “Hollow”

It’s hard to tell who’s the subject of Grace Ludmila’s rage on new track “Hollow,” a punk-influenced indie takeover wherein the artist admonishes all who think they can put her in a box. Much of Ludmila’s lyricism over the the song’s four minute runtime uses a variety of dialectics to determine, more so, who the artist isn’t rather than what she is — lyrics such as “I’m not your therapy, don’t hand your trauma to me” and “I’m not on a movie screen, don’t project your shit on me” seem to direct their anger towards both listeners who may claim to have Ludmila “all figured out,” or critics who think they can ascertain her true motivations through circumstancial evidence. In the end, however, Lumdila’s series of first-person statements serve as a kind of manifesto on the self, a laundry list of metaphors and proclamations that do a much better job at telling you who she is than whatever bullshit observations I’ll type up here — on that note, stream it (loudly) below. —Connor Beckett McInerney

|




Quality Living soundtracks the good life on “Something Softly Caught Me”

There’s a smattering of genre-influences on Something Softly Caught Me, the new album by north Jersey indie outfit Quality Living, that really don’t make sense on paper, yet congeal over the record’s half-hour runtime to make for an energetic, incredibly fun listen. Namely, the crux of Something lies in Quality Living’s synthesis of slack jawed 90s alternative with the blue tones of late 70s-early 80s jazz rock, making for an LP that modulates between being both fast and loose or deliberate and polished. All this said, it somehow, someway works — Quality Living deliver dissociative wordplay in tandem with grooving Wurlitzer keys (“Pretty down”), and scuzzy guitar-driven ballads suddenly give way for saxophone segues (“Kite Violit”) to create a cohesive piece of work for fans of Stephen Malkmus and Walter Becker alike. Stream it below.

|
|
|

- news for musician and music pros -

Loading...