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Artist of the Month
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May 2015
Pop and Obachan
"Dream Soup
"
mp3

Dreaming has always been a prerogative of the young. But seeing the raising wave of dreamy NYC based bands, we start to wonder if dreaming becomes a necessity for those who choose to settle in that post-industrial wasteland that is "non affluent Brooklyn." Or maybe it's the other way around: would anobody who doesn't have a dream to nurture settle in a place like Bushwick? Whichever the answer, that gray urban ugliness is producing many colorful psychedelic flowers. One of them is Pop and Obachan, a duo that, in just over a year of existence, released two EPs that show a radical metamorphoses - one that veers towards dreaminess. Their debut EP 'Unfurl' was a modest, sparse and sleepy alt folk record featuring just voice, ukelele and acoustic guitar. Its melodies and chord progressions owe a lot to the roots of American music. But this year's 'Dream Soup' sees the band entirely transformed - and for the better. An enriched instrumentation - now featuring also drum machine, keyboards and electric guitar - supports, through inventive arrangements, some truly imaginative and personal dream-pop songwriting. The highlights are opener 'Holly' and 'Dry Land,' with their impressionistic sound, beautifully whimsical melodies, and perfectly balanced production. If this is what "non affluent Brooklyn" can do to a band in one year, there's definitely nothing wrong with it, no matter how expensive the rent is.

 
The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
Swans
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
Nas
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

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philadelphia

The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


New Video: “Frances Quinlan Will Get Her Revenge On Philadelphia” (Live) - The Superweaks (formerly known as The Weaks)

Recently rebranded (Check out their hilarious introduction video HERE!) and formerly known as The Weaks, The Superweaks made a stop at Little Elephant in Toledo, Ohio to record a live performance of “Frances Quinlan Will Get Her Revenge On Philadelphia” from their LP Bad Year via Lame-O Records. Heavy thumping backend and searing guitars create an in-your-face intensity that is balanced by harmony to produce a most enjoyable surge of pop punk. The band is slated to perform at Boot & Saddle on Friday, September 18 on a lineup that also includes Teenage Bottlerocket, Pears, and Mannequin Pussy.

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New Track: "Foolish Heart" - August John Lutz II

Levee Drivers are gearing up to record a new full-length album this fall at Dial Back Sound in Water Valley, Mississippi with Andrew Bryant (Water Liars). All that will take some time to complete and see the light of day so until then, frontman August John Lutz II has a solo EP, entitled O' My Foolish Heart (which he recorded with The Lawsuits's Brian Dale Allen Strouse and Josh Friedman), to share. You can take a listen to its lead single "Foolish Heart" below, and he'll be celebrating the album's release this Saturday, September 5 at Bourbon & Branch. (Photo by Q.D. Tran)

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The Deli Philly’s September Record of the Month: Hardcore Friends - Lithuania

Lithuania’s debut full-length album Hardcore Friends via Lame-O Records begins with the mad-dashing punk jolt of “God In Two Persons.” The song quickly gathers momentum as a rush of power chords and percussion develop an instantaneous flow of energy, and Eric Slick’s controlled agitation questions and states, “What is on your mind?/You do it all the time.” “Pieces” pushes a crusty grunge aesthetic, as the spoken lyrics linger, embedding them in one’s mind. “I need something that I can’t hold on to./Please believe I would never do you wrong.” What initially speaks to a fundamental instrumental rawness is balanced by a melodic refinement.
 
Dominic Angelella unlocks the window of vulnerability in “I Wanna Drink Poison.”  A simple percussion and guitar allow his delicate vocals to etch a confession that aches with authenticity. Eventually, the light breeze of instrumentation transforms into a powerful gust, and Angelella laments, “I Don’t See Anybody.” With it’s bare acoustic guitar lead, “Coronation Day” provides an uplifting tonal change - a brief yet well-placed breath of fresh air. “Deaf Gene” begins with a gentle drifting before reaching a high-pressure, uncorked rage -  “…My hands are tired it’s the first time since time…” releasing the frustration until Angelella’s vocals soothe Slick’s aggression giving it a moment to simmer before relinquishing the reins and roaring to its conclusion.   
 
Densely packed drums and guitar quickly rouse one’s senses in “Place Of No Tomorrow,” revving the engine between short yet effective exhibitions of force. Its vocals are exuberant, while still having a disgruntled bite as that universally need for a new scene appears in the chorus reverberates, “God, this part of town is killing me./I need to breathe and see the place of no tomorrow.” Closing with its title track, Hardcore Friends leaves a lasting impression. As Angelella poignantly questions, “If I fall in love with an idea again, if I fall in love, would you make sure that I’m careful with it?” The guest vocals of Frances Quinlan (Hop Along) and Rachel Browne (Field Mouse/Anomie) offer a dynamic sense of earnest support as the album rumbles to a close.
 
A pair of hardcore friends in Eric Slick and Dominic Angelella has sealed its brotherly bond with an album that fuses punk-rock attitude and assertiveness with a resounding melodic pop sensibility. The energy and emotion are palpable. - Michael Colavita

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September 2015
Lithuania
"Hardcore Friends
"
mp3
Lithuania’s debut full-length album Hardcore Friends via Lame-O Records begins with the mad-dashing punk jolt of “God In Two Persons.” The song quickly gathers momentum as a rush of power chords and percussion develop an instantaneous flow of energy, and Eric Slick’s controlled agitation questions and states, “What is on your mind?/You do it all the time.” “Pieces” pushes a crusty grunge aesthetic, as the spoken lyrics linger, embedding them in one’s mind. “I need something that I can’t hold on to./Please believe I would never do you wrong.” What initially speaks to a fundamental instrumental rawness is balanced by a melodic refinement.
 
Dominic Angelella unlocks the window of vulnerability in “I Wanna Drink Poison.”  A simple percussion and guitar allow his delicate vocals to etch a confession that aches with authenticity. Eventually, the light breeze of instrumentation transforms into a powerful gust, and Angelella laments, “I Don’t See Anybody.” With it’s bare acoustic guitar lead, “Coronation Day” provides an uplifting tonal change - a brief yet well-placed breath of fresh air. “Deaf Gene” begins with a gentle drifting before reaching a high-pressure, uncorked rage -  “…My hands are tired it’s the first time since time…” releasing the frustration until Angelella’s vocals soothe Slick’s aggression giving it a moment to simmer before relinquishing the reins and roaring to its conclusion.   
 
Densely packed drums and guitar quickly rouse one’s senses in “Place Of No Tomorrow,” revving the engine between short yet effective exhibitions of force. Its vocals are exuberant, while still having a disgruntled bite as that universally need for a new scene appears in the chorus reverberates, “God, this part of town is killing me./I need to breathe and see the place of no tomorrow.” Closing with its title track, Hardcore Friends leaves a lasting impression. As Angelella poignantly questions, “If I fall in love with an idea again, if I fall in love, would you make sure that I’m careful with it?” The guest vocals of Frances Quinlan (Hop Along) and Rachel Browne (Field Mouse/Anomie) offer a dynamic sense of earnest support as the album rumbles to a close.
 
A pair of hardcore friends in Eric Slick and Dominic Angelella has sealed its brotherly bond with an album that fuses punk-rock attitude and assertiveness with a resounding melodic pop sensibility. The energy and emotion are palpable. - Michael Colavita
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