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July 2016
Big Thief
"Masterpiece
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mp3

Throughout Masterpiece, the humbly sublime debut album from Brooklyn folk-rock quartet Big Thief, love braves through woe. As sung by the ever welcoming Adrienne Lenker, these painful yet vital songs near a height of beauty that reminds one of music’s transcendent power.

Following the nimble opener “Little Arrow,” the album starts its raw power with “Masterpiece” (streaming below), the rollicking single that deservedly drew attention a few months back with its panoramic view of searching souls. Like Bob Dylan’s generation-defining “Like a Rolling Stone” from the 1960s, this guitar-trickled song is both addicting and elegant, rough and pretty and, ultimately, lasting in its sheer soulfulness.

A series of lyrically vivid tracks named after potential lovers (“Paul” and “Randy,” for example) follows next, alongside guitar-winded cuts that briskly tackle such elusive motifs as romance and the transience of time, emitting an overall beatific aura in the process.

The type of record that has the possibility of transporting the listener to a calmer, perhaps better plain of existence, Masterpiece is not just the first offering from an intriguing new band but a preciously passionate work in and of itself. – Zach Weg

 
The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
Swans
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
Nas
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


The Bribes Play Hyde Street Studios Eclectic Tuesday - 8/2

The Bribes are to play Hyde Street Studios' Eclectic Tuesday on August 2nd from 7pm - 11pm!

The Bribes is the project of Chicago-born, San Francisco-based musician Philip Toscano. Toscano has relocated The Bribes to the Bay after releasing three records and headlining nearly every mid-sized and DIY venue on the northwest side. He is currently performing solo under the name The Bribes and collaborating with Jameson Irish Whisky as a part of the "Spirit of the Neighborhood" campaign.

The band's latest recording, "Dust Tapes," released in May 2016, is an ambitious bite-sized rock opera ​intended ​to portray a series of dreams about mortality through a melodically accessible sonic landscape. The result is a cohesive, dark-but-danceable record infused with pop rock hooks and 1950s/60s rock and roll sensibilities.

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Beautiful Machines Introduce New Album - Bridges

The San Francisco based band, Beautiful Machines is back with their new album, Bridges.

Bridges takes the band in a new direction, deepening their exploration of live analog/electronic music. The album is purposefully arranged to take the listener on a journey, like cycling through a Tron-grid landscape to launching into a euphoric stratosphere. Thoughtful, dynamic and full of rich powerful choruses, wide lush verses and tangential bridges, this album strikes a chord and "bridges" technology and emotion.

The 2nd of a trilogy and thematically bridging Disconnect : : Reconnect (2014) with its following concept album Singularity (2017), think of Bridges as an inter-dimensional gateway connecting a circuit or a thought.


Everyone is Dirty Releases New Album - Banana Split

Everyone Is Dirty will be releasing a new piece of music entitled, Banana Split.

Banana Split is a schizophrenic cassette single featuring two brand new tracks of art/rock insanity—the title track un-winds like a fever dream with its warped sound waves and amphetamine crunch, re-calling the Slits as much as David Bowie or Talking Heads; meanwhile on the flip side, “Wax Mannequin Mode” wafts in like a ghostly breeze, a rare glimpse of the softer side of Everyone Is Dirty, evoking The Meat Puppets and Elliott Smith.

Everyone Is Dirty first started shocking audiences with the raw power of their music in 2013, quickly striking a nerve with their explosive sound and electrifying live show. They developed a powerful and singular chemistry virtually overnight—the combination of frontwoman Sivan Lioncub’s electric-violin sorcery and sometimes ethereal, sometimes ferocious vocals; Chris Daddio’s pawn shop guitar crunch; the driving post-punk bass lines of Tyler English; and Tony Sales’ expressive and explosive drumming coalesced in-to a force of nature.


Guy Fox Releases New EP - Paper Roads

Paper Roads, the fourth release by Bay Area locals Guy Fox, streets on July 15th. The EP follows the group’s debut full-length release Night Owl (2015) and maintains core elements of the band’s signature sound while taking on a new trajectory. While the band spent the better part of two years in and out of the recording studio crafting Night Owl—a heavily atmospheric recording—Paper Roads embraces, and more closely mirrors, the energetic live set for which the group has become known.

“Paper roads are roads that were approved by a town at some point in history, but have never been built--they just exist on paper,” explains songwriter Nate Witherbee. “We liked the idea as it hints of aspirations, ideas or dreams that haven’t become reality.”

This melancholy-tinged sentiment contrasts with the upbeat grooves and horn arrangements that are at the core of any Guy Fox record. “Let’s Move to Canada”, the EP’s penultimate track, perhaps best encapsulates the group’s ability to combine carefree, tongue-in-cheek lyrics that hint at deeper questions, while opening track “What Ya Say” demonstrates the group’s newfound ability to utilize space and broken down instrumentation.

Recorded at the new Tiny Telephone Oakland studio with long-time producer James Riotto (John Vanderslice, Merrill Garbus, Geographer), Paper Roads offers the most raw and genuine work produced by the group thus far.

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