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Beshken & CLAVVS to play Day 2 of Austin Pedal & Synth Expo Showcase, 03.16

FREE Eventm RSVP here! Info about Day One here!

For our upcoming Austin Pedal & Synth Expo Showcase, we are excited to get to feature the music of a couple of NYC locals. The electronic music Beshken makes is meditative and complex, weaving between digital and acoustic instruments with dreamlike results. His latest track, “Cursed”, picks its way between honey smooth synths and dissonant vocal effects, reflecting on the mental revolutions between sleep and insomnia. On the other end, while their lyrics too reflect on sleepless thoughts, the music of CLAVVS is rather lucid. The production on their most recent single “Devils I Know” places the vocals at the forefront of a hypnotic and unexpectedly baroque electronic backdrop. The Expo will be held on March 16th at the Chugging Monkey - listen to CLAVVS, Beshken and the other artists who will appear below. - Sunny Betz 





The Deli / Delicious Audio Unofficial SX Show Day 1 (03.15)

We are happy to announce our return to Austin with not one but TWO live show during the famous music festival in the Texan city. The shows are linked to our Austin Synth and Pedal Expo, hosted on the third floor of very central venue Chuggin' Monkey.

This is a free show - RSVP HERE!

Here's the lineup and a playlist for the first night, on March 15, hosted at the Chuggin' Monkey's ground floor right on East 6th Street!

 





M. Lockwood Porter releases passionate “Get Back to the Wild”

M. Lockwood Porter’s single off his forthcoming EP, Communion In The Ashes (out March 29, 2019) is a what a good folk-Americana song is supposed to be: it’s solid folksy rock infused with cultural heritage and the frustrations of our roots. Think Mountain Goats and Neutral Milk Hotel met the passion of There Will be Blood’s Eli--but less creepy, less religiously obsessed. After teaching in San Francisco for over a decade, Porter’s songwriting began to really reflect what he saw. He writes of the frustration of gentrification, of the sometimes heartless culture of change. In his own words, “The tech boom of the last 10 years has totally transformed the whole Bay Area and essentially made it a playground for the rich...Working-class folks and artists aren't welcome there anymore and this has manifested in rising housing costs, closure of music venues, and the proliferation of homeless tent cities.” His album is an angry-beautiful homage to the people of San Francisco, Oakland, Berkeley. Give this song a listen, stay tuned for the full EP, and catch him at Amnesia on April 19. -Michelle Kicherer, Associate Editor





Spellling’s Cryptic Mazy Fly Released February 22

Oakland’s own SPELLLING released her sophomoric album, Mazy Fly last month and it’s full of vampiric vibes and haunting lyrics. Tracks are somewhere between dark synth pop and experimental R&B, with wild noise clips of flies and whispers, spaceships and flying saucers. Chrystia Cabral, the woman behind SPELLLING, says she wants to evoke the disturbing feels of colonial violence “...that haunt the historical slave ship routes of the Middle Passage.” When you listen with that in mind, tracks take an even darker leap and plunge the listeners into reflection and emotion. - Michelle Kicherer, Associate Editor

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Noise Pop Showcase: Rex Ruit at the Starline February 28th

We’re happy to report that Oakland’s own Rex Ruit will be playing at The Starline Social Club this Thursday the 28th as part of Noise Pop. Tracks like “Vertigo” and “South” give this rocky post-punk album a lighter feel. Lovely guitar melodies blend with vocals that come in and out of clarity and really push this album into an almost dream-pop beachy realm while still keeping that alternative feel the band is known for. They’ll be part of a pretty killer lineup: Black Marble, Spiritual Cramp and Shutups at one of our favorite venues. -Michelle Kicherer, Associate Editor

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