x
the_deli_magazine

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

sf





Some Professional Help releases glittering self-titled EP & plays Uptown Nightclub (5.24)

Every now and again, a special kind of artist falls onto our radar—one that is able to give nods to music history, while also successfully innovating and pushing boundaries. One such artist is Scott Alexander, whose new project Some Professional Help is ambitious to say the least. Backed by a rotating 16-person band, Alexander leads the eclectic soundscape with his knowledge of orchestral music (if you think that there isn’t enough bassoon in pop music, then you and Alexander may be cut from the same cloth.) The self-titled debut EP is a glittering, baroque take on orchestral pop. With vocals akin to that of Bright Eyes’ Conor Oberst and arrangements that whisper influences from Sufjan Stevens, this project shines as a standout singer-songwriter debut. Some Professional Help will be performing in Oakland at Uptown Nightclub on May 24. - Lilly Milman

Stream the full Some Professional Help EP below.





A Deli Premiere: "Wasted" video by Oakland's Saalt

The debut video (streaming below) of Oakland stoner-pop group Saalt (fronted by Alisa Saario) follows a similar pattern to that of a strange dream. Saario is pictured singing while skiing down a mountain, maneuvering her way through the powerful chorus of the track “Wasted” while dressed in an all-white ski-suit. When combined with the clips of her skiing with her guitar, or emptying out pink dust around the mountain, the overall picture only becomes more ethereal. Despite her unquestionable recklessness, Saario’s vocals and her carefree smile coax you into her world — as if saying, don’t worry about me. She almost convinces you, even, but the last frame tells a different story. Check out the video below and keep an eye out for future releases from one of our favorite artists right now. - Lilly Milman 

|




Al Harper brings breezy indie rock to Abbey's Tavern (6.2)

The delicacy of Oakland-based Al Harper’s jangly, soft rock solo project is reminiscent of dreamy vocals of the indie pop duo Tennis, but with her own added edge. Her breezy falsetto carries the listeners through angsty lyrics with ease, like the school-girl sounding “The New You” (streaming below) where she sings about a person that’s changed but “it’s cool, I still want the new you.” There’s an empowerment behind her effortless sound as she embraces femininity in a way that brings her up to the ranks of other beloved female artists like Snail Mail and Evil Seagull. She will be celebrating the release of her tape About Power and to play a few unreleased tracks on June 2 at Abbey's Tavern. - Lilly Milman, photo by Kelsey McClellan 





Bone Nest mixes neo-soul, new-wave, and breakbeat on single "Fkbyzantm”

San Francisco’s Bone Nest creates music for those disillusioned by the overwhelming prevalence of upbeat, pop-influenced tracks in the electronic scene. His single “Fkbyzantm” (streaming below), which is set to appear on a forthcoming debut LP, features experimental production in the form of a beat that is both warm and a bit abstract. With influences from neo-soul, new-wave, and breakbeat and a perfectly imperfect blend of two sets of vocals, the track keeps the listener guessing. We’re eagerly anticipating what’s to come. - Lilly Milman

|




A Deli Premiere: "Cut it Out" by DONCAT, to play Rickshaw Stop (5.31)

Duncan Nielsen is the vocalist and guitarist behind DONCAT, the psychedelic bedroom-pop artist who is quickly rising up the ranks of the San Francisco scene. With a forthcoming LP, entitled Preservation of the Spirit, due out on May 18th and a list of shared bills that includes Ty Segall, it’s clear that Nielsen is on the brink of something big. That means his upcoming performance at Rickshaw Stop on May 31st should definitely be on your list.

The Deli SF is happy to be premiering “Cut it Out” (streaming below), a moody and memorable single that primarily revolves around the use of one minor chord -- giving the track what Nielsen described as "a kind of desolte feel." Lyrically, he sees the song as “an impetus to back up your actions and feelings with true action.” Happy streaming! - Lilly Milman

|
|

- news for musician and music pros -

Loading...