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Annique Monet
"Phantom Letters
"
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Some records have the ability to plunge the listener into some kind of alternate reality. Annique Monet's uber-psychedelic debut album 'Phantom Letters' will do that to you. It took a few notes for opening track "Salt, Veruca," (streaming) to hypnotize us with its haunting beginning: a simple electric piano part, whistles, a fake horn section and a droney verse slowly led us towards a celestial chorus, which was quickly fogotten - for good - in favor of a baroque, droney outro. The following track 'Voodoo', a grottesque and dissonant waltz, took us to a really weird (and scary) place: we saw the devil looking at us through the speakers, from Vienna. With a beautiful melody, the first few bars of "Nowhere"  brought back some hope for a return to light, but the song didn't go anywhere - we should have expected it, considering the title. 'Relapse' delivered another waltz - a more subtle one - but filled to the brim with eerie and decadent melancholy. From its plodding intro, Turtlenecks in July resurrected the ghost of The Beatles' psychedelic pop, although sounding nothing like it, while in '52,' Greek mermeids lured us with the most ghostly of lithanies, asking us to join them - and drown. The following two songs on the record kept this beautifully absurd, elusive dream going, with noteworthy track "Unchange" closing the collection.

Although we often praise structure in songwriting (many songs here would benefit from more of it), there's very little structure in a dream - which is what this album is. In a scene that seems to have lost the imagination of its peak years, this is a record that will hopefully inspire other NYC artists to be more daring.

 
The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
Swans
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
Nas
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

Welcome to the new Deli Charts, organized by genre and scene.

To rank the artists with the star system go to the Top 50.


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scene blog

You shouldn't let go of an ideal band mate: Katy Gunn and Anna Lidell found each other, and not even an ocean in between is slowing down their collaboration, that goes under the name of Teenage Love: the Brooklyn/Copenhagen based duo's beautifully textural 'Gold' EP is out today (July 7th), and, besides bright musical talent, it showcases a playful approach to gear and musical technology, which is surely also crucial in keeping this long distance relationship alive. We asked Katy and Anna a few questions about their gear and creative process in this interview (link below). Check out the EP's title track streaming below.

Delicious Audio Interview: Teenage Love's Gear and Creative Process

July 07, 2015
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If you’ve still got some beach vibes left over after July 4th, but you don’t feel like hoofing it to Coney Island, then Larry & the Babes’ new EP ‘The Dolphin Tapes’ will take you there (streaming below, opening track 'Perfect Person'). It’s the perfect blend of dreamy doo-wop and old-school surf music, with a sound that’s both bubblegum pop and garage rock. Larry and the Babes is a throwback to the California surfing days you were definitely born too late for, but comes on a... cassette tape, a format you were also born too late for, but that, against all ods, was reintroduced by broke Brooklyn bands in the new millennium. The Brooklyn-bred band is headlining at Palisades this Tuesday, July 7th, and it’s their leading man Larry’s birthday, so it’s sure to be an extra special show. - Sam O'Hara

July 07, 2015
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MCBC has come a long way since his days with the live funk band b.Funk. Six years and as many mixtapes into the game, he’s proven himself an intrepid bombast in the independent scene with a talent to match his will. With a rap style akin to a young Jay-Z with a more creative perspective and a budding beat fetish, he crafts songs that bump and energize. It’s like the first line from his R.A.R.E. Mixtape, “It’s mister ‘All About My Highs,’ stay away from lowlifes... little do they know we about to go around the globe twice.” Keep an ear out for where he lands.

July 07, 2015
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We have no idea how this new video by NYC alt rockers Highly Suspect was shot, but it sure is breathtaking. In 2014 this single, entitled "Lydia," provided the trio with a lot of attention from blogs, Deli included, since they made our latest list of Best Emerging NYC Artists. The band's debut album, "Mister Asylum," is set to drop July 17, and although strangely enough there's no mention of a US tour to support the release, the band already has shows booked for a 2016 UK tour (talk about planning things in advance!).

July 06, 2015
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Having just released their EP 'Break Me Free,' Connecticut/New York soul octet Mad Satta today premieres through our blog the music video for the work's second single, “Simpler Times.” Elegantly infusing present struggle into a reflection on past joy, this horn-blared song is almost intensely candid. However, behind these crisp visuals, which intercut scenes of frontwoman Joanna Teters quietly singing and her band jovially playing, the track becomes a melancholic yet ultimately triumphant piece of musical meditation. Watch the music video for “Simpler Times” below, and head over to here to find out more about Mad Satta's summer tour. The band will be opening for SF's R'&B songwriter Goapele at the Bowery Ballroom on July 10th. - Zach Weg

July 06, 2015
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This year’s 4Knots Music Festival will take place on Saturday, July 11th in its new location at Pier 84 in Hudson River Park.  This move away from lower Manhattan’s South Street Seaport reflects the new partnership with Friends of Hudson River Park, also allows a later finishing time (10pm) than the previous four editions. For the first time the Festival will be a ticketed show, with tickets starting at $25 and proceeds benefiting the Park.

Opening the day are two local acts that make it worth to show up early.  Brooklyn punk rockers Surfbort (a band we blogged about earlier this year) kick off the event with their female fronted lyrical nihilism and Ramones inspired roughness.  Song titles like “Trippin' Over Babies” (streaming) “Perversion” and “Junk Estate” keep faith to the band's mission statement to “laugh in the face of the end of the world,” while “getting emotional about the slushie streets.”

More controlled local dream pop veterans Heaven are also scheduled to play early in the day.  It will be interesting to see how core members Matt Sumrow (guitar, vocals, songwriting) and respected drumming powerhouse Mikey Jones have evolved their sound.  Album tracks "Mountains Move" come off moody, dark and dreamy (all rolled into one) as Matt's outstanding guitar work alternates between clean-note arpeggios and wah-wah effected choruses. While other tracks like "Once The Heartache," "Falling Apple" and "Centuries" added majestic keyboard pads to clearly defined chord progressions and atmospheric dream-gaze vocals.  “Telepathic Love” accentuates Matt’s soft yet sandpapery vocals, weaving imagery about having seen “the ugly and the beautiful,” and simply trying to “figure it all out.” As always the drumming of Mikey Jones gives the band a tightness often lacking in this genre and a forceful edge in the live environment.

The big name headliners this year include Super Furry Animals, Stephen Malkmus and the Jicks, Twin Peaks and Mikal Cronin.  Also scheduled to appear are Screaming Females, Happyness (Meatbodies and Heaters. - Dave Cromwell

July 06, 2015
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