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Annique Monet
"Phantom Letters
"
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Some records have the ability to plunge the listener into some kind of alternate reality. Annique Monet's uber-psychedelic debut album 'Phantom Letters' will do that to you. It took a few notes for opening track "Salt, Veruca," (streaming) to hypnotize us with its haunting beginning: a simple electric piano part, whistles, a fake horn section and a droney verse slowly led us towards a celestial chorus, which was quickly fogotten - for good - in favor of a baroque, droney outro. The following track 'Voodoo', a grottesque and dissonant waltz, took us to a really weird (and scary) place: we saw the devil looking at us through the speakers, from Vienna. With a beautiful melody, the first few bars of "Nowhere"  brought back some hope for a return to light, but the song didn't go anywhere - we should have expected it, considering the title. 'Relapse' delivered another waltz - a more subtle one - but filled to the brim with eerie and decadent melancholy. From its plodding intro, Turtlenecks in July resurrected the ghost of The Beatles' psychedelic pop, although sounding nothing like it, while in '52,' Greek mermeids lured us with the most ghostly of lithanies, asking us to join them - and drown. The following two songs on the record kept this beautifully absurd, elusive dream going, with noteworthy track "Unchange" closing the collection.

Although we often praise structure in songwriting (many songs here would benefit from more of it), there's very little structure in a dream - which is what this album is. In a scene that seems to have lost the imagination of its peak years, this is a record that will hopefully inspire other NYC artists to be more daring.

 
The 60's

Band of Gypsys

Bob Dylan

Bruce Haack

The Fugs

The Godz

Holy Modal Rounders

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Afrika Bambaataa
Arto Lindsay
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
The Fleshtones
Grandmaster Melle Mel
John Zorn
Laurie Anderson
Public Enemy
Run D.M.C.
Sonic Youth
Swans
They Might Be Giants
The 90's
A Tribe Called Quest
Cat Power

Jeff Buckley

The Magnetic Fields
Nas
The Notorious B.I.G.
Soul Coughing
Yo La Tengo
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

Welcome to the new Deli Charts, organized by genre and scene.

To rank the artists with the star system go to the Top 50.


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scene blog

IOLA is the alt folk project of Norwegian songwriter Carey Sveen, who moved to the US as a child. Carey was inspired to pursue a career in music by the example of her grandmother, a country songwriter from the deep South, but her sound doesn't owe much to that region's twangy tendencies. We are excited to premiere single 'Virginians' (streaming) from IOLA's upcoming debut album. An extremely peculiar love song about falling in love with her husband Charles (whom she just married), the track wonderfully balances tension and release, by alternating a whispered, playfully inquisitive verse (isn't it love when...?) with a chorus that assertively asks for help ("I need you to tell me 'cause I really don't know everything!"). The unanswered questions become like some kind of hidden lyrics, reminding us how torturing it is to love without knowing if we are loved back. Quite appropriately, an unexpected, semi-manic breakdown in the middle of the track doubles the tempo - and therefore the tension - only to return to the  initial, wondering verse. Don't miss IOLA at the Slipper Room in Manhattan on July 2nd.

We added this song to The Deli's playlist of Best songs by emerging NYC songwriters and artists - check it out!

June 29, 2015
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It would be interesting to have stats about what's the percentage of indie bands that are still together after 2 or 3 years of existence: we are ready to bet that a majority of emerging bands doesn't last one year. Brooklyn's Mainland is a great example of what (should) happen to a band that manages to stick around for more than two years, while developing their sound: the songwriting becomes more mature, the sound more rounded out, the delivery more confident. Their new single 'Outcast' (streaming) raises above the ubiquitous "Brooklyn garage pop" sound, assuming the sonic characters of timeless pop. The single is the first tast from their debut album scheduled for an early 2016 releas.

June 29, 2015
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It doesn't seem too often that a band looks to rather campy pop culture and comes out with an album that moves. But that is exactly what Brooklyn rock quintet Howth does with their latest effort, "Trashy Milky Nothing Town," referencing the Teenage Mutant Ninja Turtles to tell stories of longing and comradeship. On songs such as "Superfreak!" (streaming below), which recalls Wilco's "I'm Always in Love" with its spacey keys, Howth impressively achieves gravitas while alluding to the fantastical. The Ninja Turtles aren't real but Trashy Milk Nothing Town gives them, and its listeners, palpable feeling. Howth plays Cake Shop on Wednesday, 7.1. - Zachary Weg

June 29, 2015
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With her soft and silvery voice, mellow-yet-passionate compositions, and poetic and intimate lyrics, New York-by-way-of-LA singer-songwriter DYLLAN has the potential to conquer many hearts. Her latest single “Moments Like These,” an emotionally complex reminiscence of a love gone wrong, was released in March of 2015 along with this simple music video, and shows a noteworthy maturation compared to earlier repertoire. DYLLAN has released two EPs thus far, her debut “Acclimating,” out in 2010, and the follow-up, “Anything But Scared,” from the following year. While living in Paris, she also collaborated with French electronic artist Thylacine on a track entitled “Distance,” which became the single of the week on iTunes in France. While she currently has no upcoming shows planned, DYLLAN is set to release several new singles over the course of 2015, so be sure to keep an eye out. - Patrick Wolff

This artist submitted music for coverage here.

 

June 26, 2015
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We'll say it folks. Our feeling is that in the NYC scene these days too many indie bands are playing it either too safe, or too... unsafe? There's just so much garage rock and '90s revival (on one hand) and insane/unstructured noise (on the other) anybody can deal with. It's time to mix things up a little! Brooklyn's Show Me the Body is a rare example of a band that's successfully exploring new sonic avenues without losing sight of song structure. Their sound marries the darkest trip hop a la' Tricky with post punk, noise rock and sludge metal impulses. We dug their 'One Train' single from last year, and find the more recent one entitled 'Space Faithful' (streaming) as compelling. If you are brave enough to experience this noisy trio live, don't miss their upcoming show at Palisades on July 10.

June 26, 2015
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LAVACHILD is a NYC based synth pop duo fronted by fashionable singer songwriter/keyboardist Chantel De Lava (pictured), whose hypnotic presence charmed us at our recent B.E.A.F. festival. Their 2014 single "Want U To" went viral on the internet last year, and since then the group has been releasing promising new material on their Soundcloud profile, hopefully soon gathered in a proper release. The band landed a July residency at Pianos, starting on the first of the month. Check out our favorite new track, entitled "Afterwave," streaming below.

June 26, 2015
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