This year 28 NYC "scene experts" helped us with our Best of NYC Poll 2012 for Emerging Artists by choosing their 3 favorite up and coming NYC acts. These jurors are comprised of local venue agents and other industry people who work with many local bands throughout the year (full list coming soon). Their votes this year produced a list of 68 artists, which means that - as always - most jurors voted for different bands. But some bands appeared more thans once in the "ballots": below we compiled a list of the artists who accumulated more points through the jurors vote only. Kudos to Foxygen (already on the cover of our 2012 CMJ issue) for getting the top spot.
The Best of NYC 2012 Readers and Fans' Poll - including all the nominees - will start in a few days - stay tuned (since we have one of these polls happening in each scene we cover, we need to schedule them carefully to avoid to overload our server - thanks for your patience!).
"Uptempo" and "Pop" are by themselves two concepts that - in the business of being an indie band - can take you quite far; but if on top of that you add to the equation also comparisons to The Smiths, then the hype can get out of control. Brooklyn's Drowners have more than one similarity with Morrisey's act, and although they will surely feel belittled by such comparison, they should not, because no artists really managed to be The Smiths' worthy musical heir yet (like, for example, XTC were for The Beatles, Robin Hitchcock for Syd Barrett, and The Strokes for Lou Reed - uhm, maybe...).
The band's 3 songs debut EP features the remarkable single "Between Us Girls" (streaming below) which immediately throws us back to the days of "Meat is Murder," with the electric guitar alternating between jangly parts and arpeggios, and Welsh frontman Matt Hitt singing semi-melancholically about some girls' hair length - rather than about how big they are... The edge is slightly punkier, while the songwriting reveals an almost clinical concision (the song clocks in just under 2 minutes, with the first chorus coming in after 26" - A&R allergic to intros will dig that).
The second song, "You've Got it All Wrong," beats a similar musical path, tackling the infinite well of inspiration that (for Brits) is life at the pub, with the difference of a slower bridge, which acts as a breather for the final chorus. Final track "A Shell Across the Tongue" is the punkier of the bunch, but also the one with the least memorable melody.
This is obviously a band with enormous songwriting potential. If they'll manage to write songs as good as these and integrate their influences in a more mature and personal sound, the world can be theirs. - PDG
