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indie pop,
britpop, lo fi
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orchestral
pop, lounge pop
mellow core
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avant
indie, post rock
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indie
rock
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post
punk, noise rock
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alt
rock, power pop,
emo
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garage,
punk, glam + other revivals
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alt
folk, alt soul,
rootsy pop, folk rock
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songwriters
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The Deli's Year End Best of NYC Fans' Poll Final Top 20 Chart!
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1
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Midnight Spin |
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2
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Cavalier Rose |
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3
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The Shake |
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4
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The Courtesy Tier |
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5
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The London Souls |
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6
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Hawke and Dove |
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7
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Zambri |
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8
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The Paper Raincoat |
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9
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Freelance Whales |
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10
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April Smith |
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11
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Eskalators |
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12
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Monogold |
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13
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The Woes |
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14
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Penguin Prison |
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15
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Anamanaguchi |
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16
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Gordon Voidwell |
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17
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Julie Peel |
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18
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Jones Street Station |
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19
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Bear In Heaven |
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20
|
El Jezel |
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This is the final Top 20 chart of the Deli's Year End Best of NYC Fans' Poll for emerging artists - breakdown of the votes here.
On Wednesday we'll publish the chart of the Best of NYC 2009 Poll, which will assign the cover of the spring printed issue of The Deli Magazine.
As we have 67 artists on this list, we are taking a few days to double check all the votes, which were assigned through a rather complicated system involving a jury of scene makers, The Deli's writers, our readers, the bands' fans, and also through an initial open contest - full rules can be found here.
Stay tuned!
The Deli's Staff
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Published on January 20, 2010
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January 2012
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Night Manager
Ghost
This might sound kind of trite, but imagination is one of the most crucial deciding factors that makes us pay attention to music we get introduced to. This is a quality that is definitely not missing from Night Manager's music, lead singer Caitlin Seager's melodies in particular. The Brooklyn via Paris/San Francisco band offers some of the most refreshingly catchy pop lines we heard in a long time. The gorgeous single "Ghost" (streaming here) is a glorious melange of genres, somewhat reminiscent of the carefully constructed songs from The Throwing Muses' pop masterpiece "The Real Ramona" - one of the most underestimated pop album of the 90s. Unpredictable melodies blending Cocteau Twins' heavenly beauty and The Beach Boys' harmonizing mastery, float on top of what could be described as a grunge-style track, although drenched in reverb and filtered through the NYC DIY sound of the new millennium, with all its homages to the new wave and the garage sound of the 60s. But the sonic character of the track is kind of contingent here, because the actual song is so good that it would work in any instrumental context. The other two tracks on the 7" (the band's third release), present a similar recipe, with a heavier influence of the 60's surf pop element, which awakens comparisons to west coast breakout band Best Coast.- PDG
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