|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
indie pop,
britpop, lo fi
|
|
orchestral
pop, lounge pop
mellow core
|
|
|
|
avant
indie, post rock
|
|
indie
rock
|
|
|
post
punk, noise rock
|
|
|
|
|
alt
rock, power pop,
emo
|
|
garage,
punk, glam + other revivals
|
|
|
|
alt
folk, alt soul,
rootsy pop, folk rock
|
|
songwriters
|
|
|
|
|
|
|
Best of NYC 2009 - Composite Chart Final Results
| |
Artist |
J |
W+C |
R |
Total |
|
|
1
|
Talk Normal |
8
|
1
|
0.005
|
9.005
|
|
|
2
|
Freelance Whales |
5
|
2
|
0.089
|
7.089
|
|
|
3
|
Bear In Heaven |
7
|
|
0.044
|
7.044
|
|
|
4
|
Dirty Projectors |
5
|
2
|
0.025
|
7.025
|
|
|
5
|
The Antlers |
5
|
2
|
0.024
|
7.024
|
|
|
6
|
Real Estate |
4
|
3
|
0.012
|
7.012
|
|
|
7
|
Sleigh Bells |
6
|
1
|
0.003
|
7.003
|
|
|
8
|
Cymbals Eat Guitars |
3
|
3
|
0.014
|
6.014
|
|
|
9
|
Buke and Gass |
6
|
|
0.002
|
6.002
|
|
|
10
|
Beach Fossils |
3
|
2
|
0.004
|
5.004
|
|
|
11
|
Sharon Van Etten |
3
|
2
|
0.002
|
5.002
|
|
|
12
|
Midnight Masses |
4
|
0.75
|
0.019
|
4.769
|
|
|
13
|
The Woes |
3
|
1
|
0.072
|
4.072
|
|
|
14
|
The Dig |
4
|
|
0.014
|
4.014
|
|
|
15
|
Dinosaur Feathers |
3
|
1
|
0.01
|
4.01
|
|
|
16
|
The Depreciation Guild |
3
|
1
|
0.005
|
4.005
|
|
|
17
|
Small Black |
3
|
1
|
0.004
|
4.004
|
|
|
18
|
Here We Go Magic |
3
|
1
|
0.003
|
4.003
|
|
|
|
Woods |
2
|
2
|
0.003
|
4.003
|
|
|
20
|
Midnight Spin |
|
1
|
3
|
4
|
|
|
21
|
April Smith |
1
|
2.5
|
0.085
|
3.585
|
|
|
22
|
The Vandelles |
|
3.5
|
0.039
|
3.539
|
|
|
23
|
Motel Motel |
|
3.5
|
0.005
|
3.505
|
|
|
24
|
The London Souls |
3
|
|
0.5
|
3.50
|
|
|
25
|
Penguin Prison |
3
|
|
0.067
|
3.067
|
|
|
26
|
Gordon Voidwell |
3
|
|
0.052
|
3.052
|
|
|
27
|
Asa Ransom |
2
|
1
|
0.03
|
3.030
|
|
|
28
|
Air Waves |
3
|
|
0.015
|
3.015
|
|
|
29
|
The Drums |
2
|
1
|
0.008
|
3.008
|
|
|
30
|
Zombie Dogs |
3
|
|
0.006
|
3.006
|
|
|
31
|
FaltyDL |
3
|
|
0.002
|
3.002
|
|
|
32
|
The Shake |
|
1.5
|
1.5
|
3
|
|
|
33
|
Cavalier Rose |
|
0.75
|
2
|
2.75
|
|
|
34
|
The Paper Raincoat |
|
1
|
0.096
|
2.596
|
|
|
35
|
The Courtesy Tier |
|
1
|
1
|
2.5
|
|
|
36
|
Anamanaguchi |
|
1
|
0.056
|
2.056
|
|
|
37
|
The Fearsome Sparrow |
2
|
|
0.04
|
2.04
|
|
|
38
|
Hospitality |
2
|
|
0.007
|
2.007
|
|
|
39
|
Liturgy |
2
|
|
0.005
|
2.005
|
|
|
|
Earl Greyhound |
1
|
1
|
0.005
|
2.005
|
|
|
41
|
Ninjasonk |
2
|
|
0.004
|
2.004
|
|
|
42
|
A Rose Parade |
2
|
|
0.004
|
2.004
|
|
|
43
|
Javelin |
2
|
|
0.003
|
2.003
|
|
|
44
|
Double Wonderful |
2
|
|
0.001
|
2.001
|
|
|
|
Locksley |
2
|
|
0.001
|
2.001
|
|
|
|
Glass Ghost |
2
|
|
0.001
|
2.001
|
|
|
|
Streetlab |
|
1
|
0.001
|
2.001
|
|
|
|
Xeno & Oaklander |
1
|
1
|
0.001
|
2.001
|
|
|
49
|
Miracles of Modern... |
|
1.75
|
0.038
|
1.788
|
|
|
50
|
Monogold |
|
1.5
|
0.077
|
1.577
|
|
|
51
|
Catarina Dos Santos |
|
1.5
|
0.014
|
1.514
|
|
|
52
|
Hawk and Dove |
1
|
|
0.148
|
1.148
|
|
|
53
|
Zambri |
|
1
|
0.138
|
1.138
|
|
|
54
|
Eskalators |
1
|
|
0.085
|
1.085
|
|
|
55
|
Julie Peel |
|
1
|
0.051
|
1.051
|
|
|
56
|
Jones Street Station |
|
1
|
0.046
|
1.046
|
|
|
57
|
El Jezel |
1
|
|
0.042
|
1.042
|
|
|
58
|
Savoir Adore |
|
1
|
0.04
|
1.040
|
|
|
59
|
Naam |
1
|
|
0.028
|
1.028
|
|
|
60
|
Acrylics |
1
|
|
0.021
|
1.021
|
|
|
61
|
Jacques Detergent |
1
|
|
0.02
|
1.020
|
|
|
62
|
The States |
|
1
|
0.006
|
1.006
|
|
|
63
|
We Are Country Mice |
1
|
|
0.004
|
1.004
|
|
|
|
Light Asylum |
1
|
|
0.004
|
1.004
|
|
|
65
|
Julianna Barwick |
1
|
|
0.001
|
1.001
|
|
|
66
|
Callers |
1
|
|
0
|
1
|
|
|
Legend: "J" = Jurors vote - "W+C" = Writers vote +
Points from Open Contest - "R" = Readers vote
|
|
Published on January 20, 2010
|
|
|
|
|
|
|
January 2012
|
Night Manager
Ghost
This might sound kind of trite, but imagination is one of the most crucial deciding factors that makes us pay attention to music we get introduced to. This is a quality that is definitely not missing from Night Manager's music, lead singer Caitlin Seager's melodies in particular. The Brooklyn via Paris/San Francisco band offers some of the most refreshingly catchy pop lines we heard in a long time. The gorgeous single "Ghost" (streaming here) is a glorious melange of genres, somewhat reminiscent of the carefully constructed songs from The Throwing Muses' pop masterpiece "The Real Ramona" - one of the most underestimated pop album of the 90s. Unpredictable melodies blending Cocteau Twins' heavenly beauty and The Beach Boys' harmonizing mastery, float on top of what could be described as a grunge-style track, although drenched in reverb and filtered through the NYC DIY sound of the new millennium, with all its homages to the new wave and the garage sound of the 60s. But the sonic character of the track is kind of contingent here, because the actual song is so good that it would work in any instrumental context. The other two tracks on the 7" (the band's third release), present a similar recipe, with a heavier influence of the 60's surf pop element, which awakens comparisons to west coast breakout band Best Coast.- PDG
|
| | |
|
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