x
Artist of the Month
the_deli_magazine
  • local channel
  • local charts
  • show listings
  • studios
  • submit
  • submit

 
deli cover


July 2014
Baked
"'Debt'
"
mp3

Last year Baked came out with a tape called S/T Cassette.  Two songs short, it's enough to see where the band is coming from; they're not afraid to blur themselves, letting the sounds melt into landscape jams.  On Debt, their debut off Exploding in Sound, Baked is still melting, but it's a much more guided flow.  The album mixes high velocities with the turned down mellow feels that Baked just seems to ooze from every orifice.   R.J. Gordon's vocals take a back seat under a wash of reverb, sitting just below the pop driven melodies that surround him.  "Mick Jagger" especially is a stunner, where Yoni David's drumming drives the tune as the rest of the sounds float in zero gravity.  There's something unobtainably attractive about this band's sound, whether it's because they remind us of England's long lost Wu Lyf, or because they channel Bedhead at the same time. - Jake Saunders

 
The 60's
Bob Dylan

Simon and Garfunkel

Velvet Underground
The 70's
Television
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Blondie
Suicide
Lydia Lunch
DNA  
Mars
The Contortions  
The 80's
Sonic Youth
Bad Brains
Beastie Boys
Bruce Springsteen
Swans
The Feelies
Laurie Anderson
They Might Be Giants
John Zorn
Arto Lindsay
Sonic Youth
The Fleshtones
The 90's

Jeff Buckley

The Magnetic Fields
Yo La Tengo
Soul Coughing
Cat Power
The 00's
The Strokes
Interpol
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Liars
Blonde Redhead
Grizzly Bear
 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

scene blog

national

National Site

The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


Deli CMJ ELECTRONIC STAGE - TONIGHT, The Delancey - FREE!

At The Delancey on Tuesday 10.18 we'll have a truly fantastic bill with 9 NYC based electro-pop bands - and it's going to be free!. 21+ - $8.
Full listings of the Deli's CMJ shows here. See below for the Dream Pop and Alt Rock stages that same night in the same venue (downstairs).

P.S. If you are into Pedal Effects, don't miss The Deli's STOMP BOX EXHIBIT at CMJ on Friday and Saturday!!!

ELECTRO STAGE

7.00 - The Casualty Process



7.40 - Illuminator
8.20 - Tiny Victor ies
9.00 - Mitten
9.40 - Computer Magic


10.20 - Psychobuildings



11.00 - Pretty Good Dance Moves


11.40 - Caged Animals


12.20 - Slam Donahue

|

The Quick and Easy Boys Release Fourth Album, Follow Us Overboard

The fourth album has cometh. This was the name of The Quick & Easy Boys Kickstarter campaign that began early last spring, and after a long wait, the CD release show at the Wonder Ballroom is only a few days away.

The band raised a good amount of money to put out an album with the help of the finest talent this city has to offer. They recorded with producer Steve Berlin (Los Lobos) at the private studio of Isaac Brock of Modest Mouse. And once again, Portland’s finest party makers have delivered a fine-tuned album with their signature funky blues style and progressive rock rhythms.

This album is quite a bit different than the first three, clearly because of the work and influence Steve Berlin put into it. I wouldn’t call it a new direction, rather an expansion on something they’ve been doing for many years. It’s not the raw DIY project they’ve been accustomed to. Follow Us Overboard contains more instruments and a lot more layers, which is appropriate because their live show sounds as if there are more than three people on stage.

The Quick & Easy Boys are known for hard hitting blues based rock and this album does just that – even though it starts off slow with “Breath.” Guitarist Jimmy Russell takes a slower approach to his blues twang on this song, but by the time the album reaches the third song “Die” you can hear his telecaster damn near blowing his amplifier to pieces with the opening riff. One thing that stands out is the voice of lead vocalist (and bassist) Sean Badders. He has one of the most dynamic rock voices in Portland and is given justice by the clarity of the production work on this album.

Towards the end of the album, we are blessed with the song “Rave Bird” which is the perfect mix of their elements and new found production. It’s a funky beat with bold echoes and phasing effects behind a piercing guitar solo that ends up sounding like something off of Led Zeppelin’s BBC tapes.

The Boys have been touring relentlessly for the past five years. Now with new drummer, Casey Anderson, they plan on continuing that trend and reaching new heights. After all they’ve always had the excellent musicianship and an ability to put on a breathtaking live show, and now they have the album to back that up.

The Quick and Easy Boys will release Follow Us Overboard this Saturday October 4th at The Wonder Ballroom with the accompaniment of blues rock extraordinaire, Tango Alpha Tango, and the folk harmonies of The Hill Dogs. Tickets are $12 and the doors open at 8. Get there early because beer lines will be long. Stream three tracks from Follow Us Overboard below.

- Words by Colin Hudson, Photo by Liz Devine


B Forrest

B Forrest is the work of Brendan Forest and a collection of talent musicians. He is releasing his debut album Back to Bodhi this month and one of the talented musicians helping him is Sam Trump as featured below on "Grown Child".

|

Beacon plays Terminal One + unveils 'Fault Line single from upcoming 'L1' EP

Brooklyn based, atmospheric electronic duo Beacon was already on our radar, but this new single from forthcoming EP 'L1' is emitting a signal whose strength we can't ignore. We are digging pretty much everything about 'Fault Lines,' from the almost granular sounding, obsessive initial two note keyboard line, to the frantic but essential drum programming. The song builds slowly through a measured accumulation of layers, while an expanding line of arpeggiators drops unexpectedly at minute 3.11, and seems to reset everything. Beacon will play Terminal 5 in NYC tonight with Tycho and Christopher Willits, while 'L1' EP is scheduled for a December release.

 

We added this song to The Deli's playlist of Best Electronic songs by emerging NYC artists - check it out!

 

|

Mr Twin Sister (ex Twin Sister) share new track from sophomore album, plays Baby's All Right on 10.03

Twin Sister recently changed name to Mr Twin Sister (wow, even rather established bands seem to have name copyright problems, huh? I guess there are more bands than decent band names!). Check out the preview single from their upcoming sophomore album, and see them live at Baby's All Right on 10.03.

|

Experimenting with vocals: Gabi plays Baby's All Right on 10.02

Recently signed to Daniel Lopatin (aka Oneohtrix Point Never)'s record label Software, Bushwick's Gabi belongs to a growing wave of artists (for unknown reason mostly female) who choose to rely almost exclusively on vocals for their songs' arrangements, relying on the help of looping devices. Gabi's single/video 'Koo Koo' (streaming) has an ascetic, almost new wave-ish quality to it. You can see how she pull this off live at Baby's All Right on October 2nd.

|

The Deli Philly's October Record of the Month: Full Of Snakes - Mumblr

The major takeaway for Mumblr’s new album Full Of Snakes (Fleeting Youth Records) is that it really takes balls to write songs that truly say nothing. As counter intuitive as it may sound, there really is something admirable in using music to not really express all that much. Any jerk with a voice and a few chords can say a whole lot about how their ex is horrible; what really matters is how much of that content is actually worth hearing. And brother, Mumblr has found a way to make saying nothing profound.

On the surface, the album initially sounds like some sort of early 2000’s generic pop-punk; the first song “Got It” opens with that familiar sense of vague, safe anger. It’s very “high school” reminiscent, right off the bat, with lines like “I got it if you want it” and “I’ll invite you to my room.” But as the song closes and we drift into “Sober,” the tone very gradually starts to feel off. It starts to feel a bit weirder, with this sense of reckless abandon that you only hear in a Violent Femmes song. And it’s not that one is true, and the others is not; this album is walking a razor’s edge between the most self-aware of indie post-punk and the obliviousness of adolescent guilty pleasures.

And while that may sound like a chaotic mess, the seventeen-track full-length really is the having-and-eating of one's cake. We get the indulgence of grandiose guitar riffs and over the top shrieks, but with just enough originality in the composition to give it a sense of being slick and even avant-garde. Don’t let the outward sense of crazy abandon fool you - this thing is airtight. And a lot of that can be chalked up to Nick Morrison’s vocals; he brings a real sense of cleverness to the whole thing, in no small part to the fact that he can turn his voice on a dime.

One endlessly fascinating reoccurring theme is the use of repetition in their lyrics, with phrases like the aforementioned “I got it” and “someone’s been sitting in my chair” echoed over and over again, beyond the point of simple parody. It’s that old artistic trope of repeating something until it becomes meaninglessly applied to lyrics, and it’s interesting to hear expressions of youthful angst to become so alien and meaningless.

They take these universal touchstones of adolescences, including the use of “shock” lyrics such as “if God is a woman I’m going to hell” and gleefully drive them into the ground while enjoying the ride. It’s fun, it’s cool, and will leave you thinking more than any other post-punk album in months. And it does so while still being a genuinely fun throwback to a sort of music that you don’t really hear in earnest these days. - Daniel Ludwig

|

|
|

aom
Which of these acts should be The Deli's next NYC Artist of the Month?


mb
- news for musician and music industry peeps -