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July 2014

Last year Baked came out with a tape called S/T Cassette.  Two songs short, it's enough to see where the band is coming from; they're not afraid to blur themselves, letting the sounds melt into landscape jams.  On Debt, their debut off Exploding in Sound, Baked is still melting, but it's a much more guided flow.  The album mixes high velocities with the turned down mellow feels that Baked just seems to ooze from every orifice.   R.J. Gordon's vocals take a back seat under a wash of reverb, sitting just below the pop driven melodies that surround him.  "Mick Jagger" especially is a stunner, where Yoni David's drumming drives the tune as the rest of the sounds float in zero gravity.  There's something unobtainably attractive about this band's sound, whether it's because they remind us of England's long lost Wu Lyf, or because they channel Bedhead at the same time. - Jake Saunders

The 60's
Bob Dylan

Simon and Garfunkel

Velvet Underground
The 70's
Patti Smith
The New York Dolls

The Ramones

The Talking Heads
Richard Hell
The Dead Boys
Lydia Lunch
The Contortions  
The 80's
Sonic Youth
Bad Brains
Beastie Boys
Bruce Springsteen
The Feelies
Laurie Anderson
They Might Be Giants
John Zorn
Arto Lindsay
Sonic Youth
The Fleshtones
The 90's

Jeff Buckley

The Magnetic Fields
Yo La Tengo
Soul Coughing
Cat Power
The 00's
The Strokes
TV on The Radio
Fiery Furnaces
Yeah Yeah Yeahs
The Bravery
Animal Collective
Bright Eyes
Devendra Banhart
Moldy Peaches
Le Tigre
Blonde Redhead
Grizzly Bear

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


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National Site

Best of CMJ 2014: NYC's PC Worship

From JP's report of day 1 of the CMJ Music Marathon 2014: "The PC Worship show (a band featuring members of Parquet Courts), was actually a solo performance: a dude sitting in a lawn chair, playing a tinny-sounding guitar, moaning out his heart. This lawn chair was positioned in the corner of the outside patio area at Silent Barn, and started pretty much immediately after Broken Water finished, so, especially in my mildly inebriated state, I wasn’t the quickest to get out there. But when I did stumble out there, what I saw was heartfelt, and meaningful and pretty. It might have seemed like filler to some (some people were actually heckling the dude, and I just couldn’t understand why, or how), but it was more important. To him, and to me—a guy alone at a show. The last song of his actually got stuck in my head. At least until Dream Police came on."


Best of CMJ 2014: Malatese

From Jake's report of day 3 of the CMJ Music Marathon 2014: "Virginia's Malatese (from Harrisonburg, which JUST makes it into the area of our coverage) plays something that may be referred to as post-no-wave-pre-post-pre-punk music.  Their melodies/jams/grooves/whatever you wanna call 'em are dissonant and aggressive, drowned under a wave of distortion and Travis' noisy vocals.  Their music is already a little strange and head-tilt inducing, but Travis adds this extra little element of weird that brings it to a level of ingenuity.  First of all, he runs his vocals through a 404 sampler, using all the weird delay or pitch bending effects to add this monstrous ambience.  He's also got a generally hilarious stage presence, what with this funny shake dance that he does, all the weird noises he randomly spews out and the funny faces. He's not afraid to look like a little stupid up there because he's having good ol' tortured fun, which in turn means I'm having fun; if he brought it to an even further level of crazy he could be a regular Iggy Pop. "


Best of CMJ: Nashville's Gnarwhal

From Jake's report of Day 5 of the CMJ Music Marathon 2015: "Next was Nashville-based, post-hardcore trio Gnarwhal.  They put out an amazing four way split EP with Ovlov, Woozy and Ex-Breathers, which I highly recommend you listening to.  They're a loud-ass math rock band, bringing me back to the days of Fiasco and Tera Melos.  They've got a very Nashville atmosphere to them as well, with their long hair, playing everything twice as fast as it needs to be played, and stopping maybe once during the set to tell people who they were.  They're a powerhouse, that's for sure."


Best of CMJ 2014: Grass is Green

From Jake's report of day 5 of the CMJ Music Marathon 2014: "Next was one of my main highlights, "Grass Is Green," also from Boston, whose album, "Vacation Vinny," has been on repeat in my room for the last couple weeks.  Grass is Green reminds me of Kal Marks in that they go to very unexpected places in their songs, dipping into no-wave influenced jams.  They've got the signature EIS distorted bendy thing that all the bands do with their guitars (see Kal Marks, Krill, Ovlov, Pile….they all do it!), another indicator that all of these bands wholly embrace their influences.  Sometimes they remind me of Primus (again. I just really love Primus, ok!), other times it's Dinosaur Jr., but regardless of what they sound like, they have an uniquely aggressive energy.  They killed it that night, it was an epic performance.  


Best f CMJ 2014: Toot Sweet

From JP's report of day 4 of the CMJ Music Marathon 2014: "After Johnie Lee Jordan & The Boys finished, I made my way over to Muchmore’s to see the Mama Coco’s Funky Kitchen showcase, featuring an insane twelve bands. I arrived at around 7:30, and saw the stage, but nothing on it. This was to be a floor show. Bands and gear were setting up on the floor. Cool. A drag queen MC started things off and introduced the first band, Toot Sweet. They had an accordion. Need I say more? Accompanying the instrument of instruments were keys, bass, drums, and two lovely backup singers. They played an obviously French-infused slow pop that was catchy and deep. Their third song sounded like something you’d hear on the soundtrack of a pirate movie directed by Quentin Tarantino. Midway through the set the mademoiselle on accordion hopped on the keyboard, and the dude on keys hopped on a trumpet! Things turned kind of synth-funky, proving these guys’ uniquely cool versatility. Oh. And this guy on trumpet? He could play. Take it from a so-so ex-trumpeter. The pace picked up a little towards the end of the set, and it was hammered home that this was a fun group. There was unbelievably enough seating for just about everyone, though people were standing, and those who were standing were dancing. Everyone bopped. Essentially, I came to this showcase for something different. I believed I was to achieve perfect diversity.




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